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Christian Andersson / Juan Araujo / John Baldessari / Adriana Barreto / Robert Barry / Michael Biberstein / Angela Bulloch / André Cepeda / Filipa César / Luis Paulo Costa / Tatjana Doll / João Paulo Feliciano / Sabine Hornig / Lucia Laguna / José Loureiro / João Louro / Edgar Martins / Jonathan Monk / Matt Mullican / João Onofre / Diogo Pimentão / Rosângela Rennó / Julião Sarmento / Rui Toscano / Lawrence Weiner / Erwin Wurm / Yonamine
ANGELA BULLOCH
Born in Rainy River, Ontario, Canada, in 1966.
Lives and works in London and Berlin.


EDUCATION


1985-88
Goldsmiths College, University of London, B.A. (Hons.) Fine Art.



SELECTED SOLO EXHIBITIONS


2017
Cristina Guerra Contemporary Art, Lisboa, Portugal
Heavy Metal Body, Esther Schipper, Berlin, Germany


2016
Space Fiction Object, Galerie Eva Presenhuber, Zurich, Suiça
Almanach 16, Le Consortium, Dijon, França

2015
Archetypes and Totem Antidotes, Galerie Micheline Szwacjer, Brussels, Belgium
Topology: No Holes, Four Tails, Mary Boone Gallery, New York, NY
New Wave Digits, Simon Lee Gallery, London, UK

2014
Kerstin Engholm Gallery, Vienna
In Virtual Vitro, Esther Schipper, Berlin
Pentagon Principle, Galeria Helga de Alvear, Madrid

2013
Universal Mineral, Simon Lee Gallery, Hong Kong

2012
Short Big Yellow Drawing Machine, Galerie Esther Schipper, Berlin
Short Big Drama, curated by Nicolaus Schafhausen, Witte de With, Center for Contemporary Art, Rotterdam

2011

Angela Bulloch, Galerie Micheline Swajcer, Antwerp
Vattenfall Contemporary 2011 - Information, Manifesto, Rules and other leaks..., Berlinische Galerie, Berlin
Angela Bulloch - Time & Line, Städtische Galerie Wolfsburg, Wolfsburg

2010
KW69 #1 Molecular Etwas von Angela Bulloch, Kunst-Werke Berlin- KW Institute for Contemporary Art, Berlin
Discrete Manifold Whatsoever, Simon Lee Gallery, London
Angela Bulloch - Redux, Esther Schipper, Berlin

2009

Trajectories & Other Lines, Cristina Guerra Contemporary Art, Lisbon
Smoked, Formed & Quartered, Galería Helga de Alvear, Madrid
Galerie Kreo, Paris
Air de Paris, Paris

2008

Zhang Jiang Public Art Project, Shanghai
X Wohnungen Neukölln (with Michael Iber), Gropiusstadt Neukölln, Berlin
The space that time forgot, Lenbachhaus, Kunstbau, Munich
V, Galerie Eva Presenhuber, Zürich

2007

Repeat Refrain, Enel Contemporanea, Ara Pacis, Rome
Are you coming or going, around?, Esther Schipper, Berlin

2006

Angela Bulloch, The Power Plant, Toronto
Angela Bulloch, De Pont Museum voor Hedendaagse Kunst, Tilburg, The Netherlands
We Are Medi(eval) (with Liam Gillick), Cubitt Artists, London
Yuko Gothic Grid, Micheline Szwajcer, Antwerp

2005

Angela Bulloch, Modern Art, Oxford
To the Power of 4, Secession Wien, Vienna
Angela Bulloch, Le Consortium, Dijon, France
The missing 13th, Galeria Helga de Alvear, Madrid

2004

Antimatter3, Galerie Eva Presenhuber, Zurich
Angela Bulloch, Engholm Engelhorn Galerie, Vienna

2003

Angela Bulloch/Matrix 206. Macromatrix: For your Pleasure, UC Berkeley Art
Museum and Pacific Film Archive, Berkeley
New Work 8: Angela Bulloch, World Reflections, Aspen Art Museum, Aspen, USA
Disco Floor_Bootleg: 4, Installation am Medienturm Graz, Graz, Austria

2002

Search and Arrest, Y8 International Sivananda Yoga Center, Hamburg
Angela Bulloch, 1301 PE Brian D. Butler, Santa Monica
Macro World: One Hour3 and Canned, Schipper & Krome, Berlin
Angela Bulloch: Chain, Galerie Micheline Szwajcer, Antwerp
Angela Bulloch, Institute of Visual Culture, Cambridge, UK

2001

Matrix, Magnani, London
Z Point, Kunsthaus Glarus, Glarus

2000

Prototypes, Hauser & Wirth & Presenhuber, Zurich
BLOW_UP T.V., Schipper & Krome, Berlin
From the Eiffel Tower to the Riesenrad, Galerie Kerstin Engholm, Vienna
Headless with Legs + Tripping, 1301PE, Los Angeles

1999

Angela Bulloch, Sylvie Fleury, Mehdi Chouakri, Berlin

1998

Codes, Schipper und Krome, Berlin
Superstructure, Museum für Gegenwartskunst Zürich, Zurich (cat.)
Sounds Off, Robert Prime Gallery, London

1997

Vehicles, Le Consortium, Centre d’Art Contemporain, Dijon
Soundbank, Kunstverein Ludwigsburg

1996

Galerie Walcheturm, Zurich
Robert Prime, London

1995

Mudslinger, Schipper & Krome, Cologne
From the chink to Panorama Island, PADT, London
Marc Foxx Gallery with 1301/Brian Butler, Santa Monica

1994

Kunstverein in Hamburg, Hamburg:F.R.A.C. Languedoc-Roussillon; Aldebaran,
Baillargues, France

1993

Centre pour la Création Contemporaine, Tours, France (cat.)
Rules Series, Esther Schipper and Friesenwall 116a, Cologne
1301, Santa Monica, California
The art of survival/baby-doll saloon with Sylvie Fleury, Laure Genillard, London

1992

Esther Schipper, Cologne
Galleria Locus Solus, Genoa

1991

Le Case d'Arte, Milan

1990

Interim Art, London
APAC Centre d'Art Contemporain, Nevers (cat.)
Galerie Claire Burrus, Paris
Esther Schipper, Cologne



SELECTED GROUP EXHIBITIONS 


2015
The Decorator and The Thief (...), NGCA, City Library and Arts Centre, Sunderland, UK

2014
Challenging Boundaries: Breakthroughs in British Art, 1988-1998, Ekaterina Foundation, Moscow, Russia
New Generation, FRAC Nord-Pas de Calais, Dunkirk, France
Treasure of Lima: A Buried Exhibition, Cocos Island, Costa Rica
Diagrams: Essential Meaning (Angela Bulloch – Langlands & Bell – Simon Patterson), The Holden Gallery, Manchester

2013

Collection on Display, Migros Museum für Gegenwartskunst, Zurich, Switzerland
93, Galician Contemporary Art Centre (CGAC), Santiago, Spain
The Future Starts Here, FRAC Nord-Pas de Calais, Dunkirk, France
Art in Berlin from 1945 to Today, Berlinische Galerie Museum Für Moderne Kunst, Berlin, Germany
BRITISH BRITISH POLISH POLISH: Art from Europe's Edges in the Long ‘90s and Today, CCA Ujazdowski Castle, Warsaw, Poland (exh. cat)
Sculptrices, Villa Datris, L’Isle-sur-la-Sorgue, France
The Whole Earth: California and the Disappearance of the Outside, Haus der Kulturen der Welt, Berlin, Germany (exh. cat)
Great Men Die Twice, Mário Sequeira Gallery, Braga, Portugal
Datascape, Borusan Contemporary, Istanbul, Turkey. This exhibition then travelled to; LABoral Art and Industrial Creation Centre, Gijon, Spain (2014)
Turbulences II, Villa Empain-Boghassian Foundation, Brussels, Belgium
Art after 1945, Lenbachhaus Kunstbau, Munich, Germany
Double-and-Add: Angela Bulloch, Anthony McCall, Haroon Mirza, RISD Museum, Rhode Island, RI
Collection Sandretto Re Rebaudengo: Have you seen me before? Whitechapel Gallery, London, UK
Touching Colour, Newcastle University: Hatton Gallery, Newcastle upon Tyne, UK

2012

Double-and-Add: Angela Bulloch, Anthony McCall, Haroon Mirza - The RISD Museum - University of Rhode Island, Providence, RI
Le Frac S'invite Au Consortium - FRAC - Bourgogne, Dijon
Fruits of Passion - Project for contemporary art - Centre Pompidou - Musée National d´Art Moderne, Paris
Una finestra sul mondo - Da Dürer a Mondrian e oltre - Museo d'Arte di Lugano, Lugano
A WINDOW ON THE WORLD, from Dürer to Mondrian and beyond - Museo Cantonale d´Arte Lugano, Lugano
Turbulence - Espace Louis Vuitton Paris, Paris
Paramor - FRAC - Pays de la Loire, Carquefou
Wir treffen uns am Abend - COCO (Contemporary Concerns), Vienna
Editions! - Grieder Contemporary - Zürich, Küsnacht ZH
Forme et informe - Musée des Beaux Arts de Dôle, Dôle
Time Capsule - Eine Frau, ein Baum, eine Kuh - Museum für Konkrete Kunst, Ingolstadt

2011
Line Up - Boers-Li Gallery, Beijing
Exposition De Sculpture Npdc - Kaohsiung Museum of Fine Art, Kaohsiung City
Sculpture Now - Galerie Eva Presenhuber, Zurich
Magical Consciousness - Arnolfini, Bristol (England)
Weltraum. Die Kunst und ein Traum - Kunsthalle Wien (Museumsquartier), Vienna
Play Ground - New Walk Museum & Art Gallery, Leicester (England)

2010
Plus Ultra - Opere dalla Collezione Sandretto Re Rebaudengo - MACRO Testaccio (MACRO Future), Rome
The New Decor - Garage Center for Contemporary Culture - GCCC, Moscow
Just love me - MUDAM - Musée d’Art Moderne Grand-Duc Jean, Luxembourg
The Rhythm of Istanbul - Akbank Art Center, Istanbul
Simon Lee Gallery à Paris - Galerie Kreo, Paris
Cream - Kiasma - Museum of Contemporary Art, Helsinki
The New Décor - Hayward Gallery, London (England)
Nice and Easy - Galeria Mário Sequeira, Braga
HIGH IDEALS & CRAZY DREAMS - Compiled by Gerwald Rockenschaub - Galerie Vera Munro, Hamburg
Art - curated by Michel Craig-Martin - Michael Fuchs Galerie, Berlin
Art (Magenta) - - Galerie Haas & Fuchs - Berlin, Berlin (closed, 2011)
Fiat Lux. Creación e Iluminación - MACUF Museo de Arte Contemporáneo Union Fenosa, A Coruña
1. Biennale für Internationale Lichtkunst Ruhr 2010 - Biennale für Internationale Lichtkunst, Unna
Party! - The New Art Gallery Walsall, Walsall, West Midlands (England)
A Roll of the Dice - Cristina Guerra Contemporary Art, Lisbon

2009
We are sun kissed and snow blind - Galerie Patrick Seguin, Paris
Verausgabungssymposium - COCO (Contemporary Concerns), Vienna
Moby Dick - CCA Wattis Institute for Contemporary Arts, San Francisco, CA
L'attraction de l'espace - Musée d'Art moderne de Saint-Etienne, Saint-Etienne
The social critique 1993-2005 - Kalmar konstmuseum, Kalmar
Wall Drawings - 1301PE, Los Angeles, CA
Summer exhibition: Matti Braun, Angela Bulloch, Christoph Keller - Esther Schipper, Berlin
Universal Code - The Power Plant, Toronto, ON
Estuaire 2009 - Estuaire - Nantes <>Saint Nazaire, Nantes
Colour Chart: Reinventing Colour, 1950 to Today - Tate Liverpool, Liverpool (England)
Antes de ayer y pasado mañana; o lo que puede ser pintura hoy - MACUF Museo de Arte Contemporáneo Union Fenosa, A Coruña
Sound of Music - Turner Contemporary, Margate, Kent
Proiezioni - Castello di Rivara - Centro d´arte contemporane, Rivara (TO)
Yellow and Green - Positionen aus der Sammlung des MMK - Museum für Moderne Kunst (MMK), Frankfurt/Main
The Porn Identity - Kunsthalle Wien (Museumsquartier), Vienna
Mind the Step - 1301PE, Los Angeles, CA

2008

The Cover of a Book is the Beginning of a Journey - Arnolfini, Bristol (England)
theanyspacewhatever - Solomon R. Guggenheim Museum, New York City, NY
Pièces à vivre - FRAC - Poitou-Charentes, Angoulême
Blasted Allegories - Werke aus der Sammlung Ringier - Kunstmuseum Luzern, Lucerne
Angela Bulloch - Jorque Queiroz - Galeria Helga de Alvear, Madrid
Martian Museum of Terrestrial Art - Barbican Art Gallery, London (England)
Kunstmaschinen – Maschinenkunst - Museum Tinguely, Basel
Color Chart: Reinventing Color, 1950 to Today - MoMA - Museum of Modern Art, New York City, NY
Group Show - Galerie Eva Presenhuber, Zurich
the Collector: Sound of Music - Marres - Centre for Contemporary Culture, Maastricht

2007

Ensemble, ICA, Philadelphia
Kunstmaschinen. Maschinenkunst, Schirn Kunsthalle, Frankfurt
Cosmic Dreams, Centro Cultural Andratx, Mallorca
The Suspended Moment, Z33, Hasselt
Klang im Bild, Opelvillen, Rüsselsheim
Cuestion Xeracional, OCGAC, Sant Diago de Compostella

2006

From Damien Hirst’s Murderme Collection: In the Darkest Hour there will be Light, Serpentine Gallery, London
Bewegung im Quadrat: Das Quadrat in Malerei, Kinetischer Kunst und Animation, Museum Ritter, Waldenbuch
Anstoss Berlin: Kunst macht Welt, Haus am Waldsee, Berlin
Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen
Collection Helga de Alvear, Centro Cultural de Belem, Lisboa
Galleri MGM, Oslo
Tate Triennial, Tate Britain, London
Satellite Of Love, Witte de With, Rotterdam
Backdrop, Bloomberg Space, London
Lichtkunst aus Kunstlicht, Museum für Neue Kunst, Karlsruhe
Wrong, Klosterfelde Linienstraße, Berlin

2005

36 x 27 x 10, White Cube - Palast der Republik, Berlin
Ambiance, K21, Düsseldorf
Possession, Gerry Bibby/Paul-Lincke-Ufer 33, Berlin
Agua, Sin Ti No Soy, Valencia Biennale, Valencia
Extreme Abstraction, Albright Knox Art Gallery, Buffalo
Preis der Freunde der Nationalgalerie, Hamburger Bahnhof, Museum für Gegenwartskunst, Berlin
EN/OF 001-030, Museum Kurhaus, Kleve
Nach Rokytník: Die Sammlung der EVN, MUMOK, Wien
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Torino
The Suspended Moment, CRAC Alsace, Altkirch
Someone Somewhere Is Furiously Traveling Towards You, La Casa Encendida, Madrid
Collection 2, Fondation pour l’Art Contemporain Claudine et Jean-Marc Salomon, Alex
La Traicion De La Escultura, Mario Sequeira Gallery, Braga

2004

Funny Cuts – Cartoons und Comics in der Zeitgenössischen Kunst, Staatsgalerie, Stuttgart
Villette Numerique (cur. by Benjamin Weill), Parc et Grand Hall La Vilette, Paris
Specific Objects, Galerie Mehdi Chouakri, Berlin
Raison et Sentiments. Collection FNAC, CRAC Alsace, Altkirch
100 Artists See God, Contemporary Jewish Museum, San Francisco / Laguna
Art Museum, Laguna Beach / ICA, London
Ein-leuchten, Museum der Moderne, Salzburg (cat.)
Open, Arcadia University Art Gallery, Glenside
Performative Installation #5: Performative Architektur, Galerie für zeitgenössische Kunst, Leipzig
Live and let die!, Schiffbau, Zurich
Club Transmediale, Maria am Ostbahnhof, Berlin

2003

Poème/image, Kunsthaus Schloss Wendlinghausen, Dörentrup
Form Specific, Moderna Galerija, Ljubljana
Utopia Station, La Biennale di Venezia, Venice
EN/OF Editionen, Heeresbäckerei Guestroom, Berlin
Brightness, Museum of Modern Art, Dubrovnik
Conceptualisms, Akademie der Künste, Berlin
Cromatic Sensation, Gallery Hyundai, Seoul
Einbildung – Das Wahrnehmen in der Kunst, Kunsthaus Graz, Graz
It's in our hands, Migrosmuseum für Gegenwartskunst Zürich, Zurich
Coollustre, Collection Lambert en Avignon, Avignon
Playlist, Palais de Tokyo, Paris
One on One – Installations from the Collection (1968 – 1988), Van Abbemuseum, Eindhoven
Favorites +, Galerie Fortlaan 17, Ghent

2002

Frequenzen (Hz). Audiovisuelle Räume, Schirn Kunsthalle, Frankfurt a. M.
Hell, Neugerriemschneider, Berlin
Inter/re/views, Kunstpunkt Berlin, Berlin
Ars Lucis et Umbrae. Licht und Schatten als selbständige Medien in der Kunst, Museum im Kinsky, Vienna
Häuser für Leipzig. KünstlerInnen als ArchitektInnen, Galerie für zeitgenössische Kunst, Leipzig
Claude Monet ... bis zum digitalen Impressionismus, Fondation Beyeler, Riehen/Basel
Sweet Nothing. (Liege)Stätten des sommerlichen Nichtstuns, Kunsthaus
Baselland, Muttenz
Remix, Tate Liverpool, Liverpool
Once Again, John Hansard Gallery, Southampton
Touch: Relational Art from the 1990‘s to now, San Francisco Art Institute, San Francisco
To Whom It May Concern, CCAC Wattis Institute for Contemporary Arts, San Francisco
Favorites, Galerie & Edition Artelier, Graz
Shanghai Biennial, Shanghai
No Ghost Just a Shell, (with Imke Wagener), Institute of Visual Culture, Cambridge

2001

L’Esprit de famille, MAMCO, Geneva
art>music, Museum of Contemporary Art, Sydney
Wertwechsel. Zum Wert des Kunstwerks, Museum für angewandte Kunst, Cologne
Connivence, Biennale de Lyon, Lyon
Arbeit Essen Angst, Kokerei Zollverein, Essen
Der Dritte Sektor, Kunstverein Wolfsburg, Galerie für zeitgenössische Kunst, Leipzig
Wechselstrom. Sammlung Hauser & Wirth/Teil2, Lokremise St. Gallen (cat.)
Timewave Zero/The Politics of Ecstasy, Grazer Kunstverein, Graz
1301 PE Brian Butler, Los Angeles

2000

The World is not enough with Sylvie Fleury, Galerie Mehdi Chouakri, Berlin
Against Design, ICA, University of Pennsylvania, Philadelphia
Sonic Boom - The Art of Sound, Hayward Gallery, London
Presumed Innocent, CAPC, Bordeaux (cat.)
Dire Aids. Arte nell’epoca dell’Aids, Palazzo della Promotrice delle Belle Arti,Turin
M(odel) 4∞, BüroFriedrich, Berlin
Media art 2000 - escape, media_city Seoul 2000, Seoul Metropolitan Museum Seoul
EIN/räumen. Arbeiten im Museum, Hamburger Kunsthalle, Hamburg
Außendienst. Kunstprojekte in öffentlichen Räumen Hamburgs, Kulturbehördeund Kunstverein in Hamburg, Hamburg
Version_2000, Centre pour l’image contemporaine Saint-Gervais, Geneva

1999

Common People, Fondazione, Re Rebaudengo per l’Arte, Guarene d’Alba
Video Store II, by bdv, XN99 Espace des Arts, Chalon-sur-Saone; l’Espace
Lausannois d’Art Contemporain, Lausanne
Sweetie: Female Identity in British Video with Sylvie Fleury, The British School at Rome, Rome
Bankside Browser, St. Christopher’s House, organised by the Tate Gallery of Modern Art, London
Etcetera, Spacex Gallery, Exeter
To Design For, Le Spot, Le Havre
Power, Galerie für Zeitgenössische Kunst, Leipzig
Borderline PILOT - the audience from a distance, Museum van Bommel van Dam, Venlo
Essential Things, curated by Guy Mannes Abbot, Robert Prime Gallery, London
At Home with Art, curated by Colin Painter (touring exhibition), Tate Gallery, London
Here to stay. Arts Council Collection purchases from the 1990s, The Potteries
Museum & Art Gallery, Stoke on Trent
Tendenzen der 80er und 90er Jahre, museum für neue kunst zkm, Karlsruhe
Strengthening Wind from Changing Directions - International Avant Garde since 1960: The Paul Maenz Collection, Neues Museum Weimar
Space, Schipper & Krome, Berlin

1998
Emotion - Young British and American Art from the Goetz Collection, Deichtorhalle, Hamburg
Typische Handbewegung, Künstlerwerkstatt, Munich
John Armleder, Angela Bulloch, Pierre Joseph, Jonathan Monk, Le Spot, Studio d’Art Contemporain, Le Havre
N.IGS./WI.UU.OX/W.OKS.MH/Y.IM, FRAC Poitou-Charentes
Z.U.P. Zone a urbaniser en priorité, Fonds Régional d’Art Contemporain, Marseille
Weather Everything, curated by Eric Troncy, Galerie für zeitgenössische Kunst, Leipzig
UK Maximum Diversity. Zeitgenössische Kunst aus England, Atelierhaus der Akademie der Bildenden Künste, Wien; Galerie Krinzinger in der B. Fabrik, Bregenz
Patchwork in Progress 3. La Nuit, l’oubli, Fondation Mamco et le Musée d’art Moderne et Contemporain, Genève
Kunst und Parlament. Kunst für das Reichstagsgebäude und das Paul-Löbe- und Marie-Elisabeth-Lüders-Haus, Deutscher Bundestag, Berlin
Kunstausstellung Holderbank, Holderbank AG, Holderbank
Lifestyle. Internationale Kunst in den Grenzbereichen von Mode, Design, Styling, Interieur und Werbung, Kunsthaus Bregenz, Bregenz
Art Club Berlin, Pavillon Mies van der Rohe, Barcelona
MAI 98. Positionen zeitgenössischer Kunst seit den 60er Jahren, Kunsthalle Köln am Neumarkt, Cologne
Crossings, Kunsthalle Wien, Vienna
Fast Forward (Trade Marks), Kunstverein in Hamburg, Hamburg
Fast Forward (Body Check), Kunstverein in Hamburg, Hamburg
Entropy at Home, Suermondt Ludwig Museum, Aachen
Inglenook, Feigen Contemporary, New York
Root, Chisenhale Gallery, London
London Calling, The British School at Rome, Rome
Art from the UK, Sammlung Goetz, München (cat.)
Vive la Vie! Le Parvis, Centre d' art contemporain, Pau

1997

Kunst.Arbeit, Sammlung SüdwestLB, SüdwestLB forum, Stuttgart
Life/Live, Centro Cultural de Belém, Portugal
Such is Life with Sylvie Fleury, video programme curated by Jonathan Watkins, Serpentine Gallery, Bookshop, London
Rooms with a View: Environments for Video, Guggenheim Museum SoHo, New York (cat.)
Material Culture. The Object in British Art of the 1980s and '90s, Hayward Gallery, London (cat.)
Moment Ginza, une proposition de Dominique Gonzalez-Foerster, Le Magasin, Grenoble; Färgfabriken, Stockholm (cat.)
Performance Anxiety, Museum of Contemporary Art, Chicago (cat.)
Was Nun? Schipper & Krome, Berlin
ca-ca poo-poo, Kölnischer Kunstverein, Cologne
Tanti Video with Sylvie Fleury, Arcate Art Fabrica, Turin
Kunst in der Leipziger Messe, Glashalle, Messegelände Leipzig
Flexible, Museum für Gegenwartskunst, Zurich
Connexions Implicites, l’École Nationale Supérieure des Beaux-Arts, Paris (cat.)
Group Show at Robert Prime, London
Persona X, Salzburger Kunstverein, Salzburg
PopVideo, Kölnischer Kunstverein und Viva Zwei, Cologne
Un toit pour tout le monde, Werke aus der Sammlung FRAC Languedoc-Roussillon, Künstlerhaus Bethanien, Berlin
Private Face - Urban Space, Gas Works, Athens; Rethymnon Centre for Contemporary Art, Crete (cat.)
Opening exhibition, LEA Gallery, London
History - The Mag Collection, Ferens Art Gallery, Kingston upon Hull (cat.)
Brain Multiples @ Art Metropole, Toronto
Dramatically Different, curated by Eric Troncy and Yves Aupetitallot, Le Magasin, Grenoble
Medium of Exchange, CCH, Hamburg
The Turner Prize 1997, Tate Gallery, London

1996

Traffic, curated by Nicolas Bourriaud, CAPC Musée d’Art Contemporain,Bordeaux
Kiss This, Focal Point Gallery, Southend-on-Sea
Model Home, curated by Alanna Heiss, Clocktower Gallery, New York
Gedraag je! Behave! Benimm Dich! Tiens-toi bien! Stedelijk Museum, Bureau Amsterdam, Amsterdam
Multiple Pleasure, Tanya Bonakdar Gallery, New York
Collezionismo a Torino, Castello di Rivoli, Museo d`Arte Contemporanea, Torino (cat.)
Kunst in der neuen Messe Leipzig, curated by C. Schneider, Leipziger Messe, Leipzig (cat.)
Niele Toroni/Angela Bulloch, Museum der Bildenden Künste, Leipzig
Der Umbau Raum, Künstlerhaus Stuttgart, Stuttgart
Dinner, organised by Giorgio Sadotti, Cubitt Gallery, London
The Cauldron, The Henry Moore Studio, Halifax (cat.)
nach weimar, Kunstsammlungen zu Weimar, Weimar (cat.)
Variations, op. 96, Hotel Saint Simon, Angoulême, France
Escape Attempts, curated by GLOBE and Jack Jaeger; Christiania, Copenhagen,
Are you talking to me? curated by Peter Holst Henckel, Gallery Specta, Copenhagen
Orte des Möglichen. Weibliche Positionen in der zeitgenössischen Kunst, Hypobank International S.A., Luxembourg; Achenbach Kunsthandel, Düsseldorf (cat.)
Files - Art as Position in the Age of Global Technologies, Bunker, Berlin
Itinerant Texts, commissioned by Bookworks, Camden Arts Centre, London
Other Men’s Flowers, Galerie Aurel Scheibler, Cologne
Supastore de Luxe, UP & Co, New York
Life/Live, Musée d‘Art Moderne de la Ville de Paris, Paris (cat.); Centro de Exposiçoes do Centro Cultural de Belém, Portugal
Full House. Junge Britische Kunst, Kunstmuseum Wolfsburg, Wolfsburg
All in One, Schipper & Krome, Cologne

1995

Corpus Delicti. London i 90’erne, curated by Torben Christensen Kunstforeningen, Copenhagen (cat.)
Das Ende der Avantgarde, Kunst als Dienstleistung, Kunsthalle der Hypo-Kulturstiftung, Munich (cat.)
Toys, curated by Nicolas Bourriaud & Eric Troncy, Galerie Jousse Seguin, Paris
Wohnzimmer, Schipper & Krome, Cologne
Klangskulpturen, Augenmusik, Ludwig Museum, Koblenz (cat.)
Collection, fin XXe, FRAC Poitou-Charentes, Angouleme (cat.)
le labyrinthe moral, curated by Liam Gillick and Philippe Parreno, Le Consortium, Dijon
Am Rande der Malerei (second part), Kunsthalle Bern, Bern (cat.)
Space Odessey, curated by Helena Papadopoulos, Eleni Koroneou Gallery, Athens (cat.)
How is everything? curated by Erwin Wurm and Martin Walde, Wiener Secession, Vienna
En passant...Urban Scenes in Contemporary Art, curated by Andreas Spiegel, Akademie der Bildende Künste, Vienna (cat.)
Stoppage, curated by Liam Gillick, CCC, Tours and Villa Arson, Nice
Faction Video, curated by Liam Gillick, Det Kongelige Danske Kunstakademi, Copenhagen
444 & 222 Too, steam ironed by Georg Herold, South London Gallery
Sage with Sam Taylor Wood, Gillian Wearing, Elizabeth Wright, Galerie Michel Rein, Tours
X: KunstKanal. World tea Party, Mediapark, Cologne
Never mind the Nineties, Kunst-Werke, Berlin

1994

WM Karaoke, with Liam Gillick, curated by Georg Herold, Portikus, Frankfurt
Surface de Réparation, curated by Eric Troncy, Espace FRAC, Dijon
Surface de Réparation II, curated by Eric Troncy, Espace FRAC, Dijon (cat.)
Le Consortium, with Sylvie Fleury, Dijon
blurp/bleep, Westwerk e.V., Hamburg
Wall to Wall, curated by Maureen Paley, Leeds City Art Gallery, Leeds (cat.)
temporary translation(s), Sammlung Schürmann, Deichtorhallen, Hamburg (cat.)
Sammlung Schürmann, Ludwig Museum, Aachen (cat.)
Use Your Allusion - recent video art, Museum of Contemporary Art, Chicago
Mixbild, Schipper & Krome, Cologne
The Antidote, Centre 181 Gallery, London
Cloni, A&M Bookstore, curated by Tommaso Corvi Mora, Milan
Brian Butler-1301(L.A.), presents: Angela Bulloch, Meg Cranston, Sarah Seager,Thaddeus Strode, Art & Public, Geneva
Informationsdienst, Grazer Kunstverein, Graz
Grand Prix de Monaco, curated by Axel Huber, Nice and Monaco
Gradus ad Parnassum, Arbeiten zeitgenössischer Künstlerinnen, Kunsthaus Welker, Heidelberg
New reality mix, performance and video weekend, Stockholm
The Institute of Cultural Anxiety: Works from the Collection, curated by Jeremy Millar, ICA, London (cat.)

1993

Viennese Story, curated by Jérome Sans, Wiener Secession, Vienna (cat.)
Documentario 2, Spazio Opos, Milan
Tutto Tondo, Monika Sprüth Galerie, Cologne
Galerie Walcheturm, Zurich
Aperto ‘93, Biennale di Venezia, Venice (cat.)
Esther Shipper at the Christopher Grimes Gallery, Santa Monica, CA
Summer 93, Air de Paris, Nice
Nulle part et partout, carte blanche à Ami Barak, Espace Paul Boyé, Sète
My little Toilet, curated by Jonathan Monk, Glasgow
London Photo Race, Friesenwall 120, Cologne
Christmas Shop, Air de Paris, Paris
Unplugged: The Demo Video Tape, curated by Nicolas Bourriaud, Holiday Inn, Cologne
Dokumentationsraum, Esther Schipper, Cologne
Dancing Girls with Kate Daw, Store 5, Melbourne, Australia
An old song and a new drink with Liam Gillick, Café Beaubourg, Paris

1992

Il faut construire l'hacienda, curated by Nicolas Bourriaud, Eric Troncy and Alain Julien-Laferrière, CCC Tours (cat.)
Etats Specifiques - 11 Artistes Anglais, Musée des Beaux-Arts André Malraux, Le Havre (cat.)
Lying on top of the building the clouds seemed no nearer than they had when I was lying on the street, Monika Sprüth Galerie, Cologne; Le Cased‘Arte, Milan
Still, Andrea Rosen Gallery, New York
Dirty Data - Sammlung Schürmann, Ludwig Forum für Internationale Kunst, Aachen (cat.)
Angela Bulloch, Adam Chodzko..., instructions received by Liam Gillick, Gio’ Marconi, Milan (cat.)
Lily van der Stokker, Angela Bulloch, Stephane Magnin - Wall Drawings, Air de Paris, Nice
Molteplici Culture, curated by Liam Gillick & Paul Mittleman, Rome (cat.)
Informationsdienst (travelling exhibition), organized by Ute Meta Bauer, Tina Geissler, Sandra Hasenteufel; First presented in Ausstellungsraum Künstlerhaus Suttgart, Stuttgart
Manifesto, curated by Benjamin Weil, Daniel Buchholz, Cologne; Castello di Rivara, Torino; Wacoal Arts Center, Tokyo; Urbi et Orbi, Paris
Group Show, Esther Schipper, Cologne
ON, Interim Art, London (cat.)

1991

Reve, Fantasie, curated by D. Gonzalez-Foerster, Elein Fleiss, Bernard Joisten, Galerie de Mois, Paris
Angela Bulloch, Sarah Seager and Craig Wood, Interim Art, London
Victoria Miro Gallery, London
No Man's Time, Villa Arson, Nice (cat.)
Broken English, Serpentine Gallery, London (cat.)
Proiezioni, Castello de Rivara, Turin
Plastic Fantastic Lover (object a), curated by Catherine Liu, BlumHelman Warehouse, New York (cat.)
Devices, curated by Bruce Ferguson, Josh Baer Gallery, New York
Marking Time, The Drawing Center, New York

1990

Common Market, curated by Barbara Steffens, Richard Kulenschmidt Gallery,Los Angeles
The Köln Show, Cologne (cat.)
In Loving Correspondence, Massimo Audiello Gallery, New York
Seven Obsessions, Whitechapel Art Gallery, London

1989

Home Truths, six british artists, curated by Kate MacFarlane, Castello di Rivara,Torino
Bulloch, Hume, Landy, Esther Schipper, Cologne

1988

Freeze Part 1, PLA Building, Docklands, London
Freeze Part 3, PLA Building, Docklands, London (cat.)


PUBLIC COMMISSIONS 


2007
Anyang Public Art Project, Anyang, Korea

2002

Pacific Rim, Nord LB, Hannover
Millbank Millenium Pier, London

2001

Swiss Re, Zurich

2000

RGB Benches, City of Laignes (Burgundy)

1999

RGB Benches, Fondation de France, Association le Coin du Miroir, Laignes (Burgundy)
Aspidistras in Alphaville (Decimal System), Winterthur Insurance, Winterthur

1998/2001

Seats of Power and Spheres of Influence, Deutscher Bundestag, Paul-Löbe-Haus, Berlin

1998

Pedestrian Pixel System: 55, O.K. Centrum für Gegenwartskunst, Linz, Austria

1996

Belisha Beacon Indicator System, Messehallen, Leipzig


BIBLIOGRAPHY
Monographic publications

Exh.cat. The Space that Time forgot, Kunstbau im Lenbachhaus München. Verlag der Buchhandlung Walther König, Köln, 2008
Prime Numbers. Angela Bulloch, Verlag der Buchhandlung Walther König, Köln, 2006.
Exh.cat. Angela Bulloch, Secession, Vienna 2005.
Pixel Book, Kunsthaus Glarus, Glarus 2001.
Rule Book. Angela Bulloch, ed. Stefan Kalmár, Book Works, London 2000.
Satellite - Angela Bulloch, ed. Stefan Kalmár and Angela Bulloch, Museum für Gegenwartskunst, Zurich, le Consortium, Dijon, 1998.
Exh.cat. Angela Bulloch, ed. CCC-Tours, FRAC - Languedoc-Roussillon, Kunstverein Hamburg, Hamburg, 1994.
Exh.cat. Angela Bulloch, essay by Eric Troncy, APAC, Nevers, 1990.



PUBLICATIONS


Montblanc Cutting Edge Art Collection, Hamburg 2007.
Gillick, Liam, Proxemics, Selected Writings (1988-2006), JRP Ringier and Les Presses du Réel, 2006.
In the darkest hour there may be light, Serpentine Gallery, London, 2006.
Exh.cat. Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Hatje Cantz Verlag, 2006.
Exh.cat. Anstoss Berlin, Haus am Waldsee, Berlin, 2006.
Exh.cat. Abstract Art Now. Strictly Geometrical?, Wilhelm-Hack-Museum, Ludwigshafen, 2006.
Exh.cat. Tate Triennial, New British Art, ed. by Beatrix Ruf and Clarrie Wallis, Tate Publishing, 2006.
Exh.cat. Des Deux Cotés Du Rhin, Snoeck, Cologne, 2005.
Exh.cat. Extreme Abstraction, Albright-Knox Art Gallery, 2005.
Exh.cat. the suspended moment, CRAC Alsace, Altkirch, 2005.
Art at 30 St Mary Axe London, Swiss Reinsurance Company, Zurich, 2005.
Exh.cat. Preis Der Nationagalerie Für Junge Kunst, Hamburger Bahnhof, Berlin, 2005.
Exh.cat. EVN 95-05, MUMOK, Vienna, 2005.
Exh.cat. Playlist, Palais de Tokyo, Paris, 2004.
Exh.cat. Ein-leuchten, Museum der Moderne, Salzburg, 2004.
Exh.cat. Funny Cuts, Cartoons und Comics in der zeitgenössischen Kunst, Staatsgalerie, Stuttgart, 2004.
100 Artists See God, Independent Curators International, New York, 2004.
Cream 3. Contemporary Art in Culture, ed. Gilda Williams, London 2003, pp. 92-95
Frieze Art Fair Yearbook 2003-4, ed. Anna Starling, London 2003
Exh.cat. No Ghost just a Shell, Van Abbemuseum, Eindhoven 2003.
Exh.cat. episode - Chromatic Sensation, Gallery Hyundai, Seoul 2003
Performative Installation - architektur, Siemens Art Programm, 2003.
Bourriaud, Nicolas, Postproduction, Collection Documents sur l’art, Dijon 2003.
Exh.cat. Brightness, Modern Museum of Art, Dubrovnik, 2003.
Material_o1, The Institute of Visual Culture (ed.), Cambridge, 2002.
EVN Sammlung. Ankäufe 2000-2002, EVN AG, Wien 2002.
Once Again, John Hansard Gallery, Southampton, 2002.
Woman Artists. Künstlerinnen im 20. und 21. Jahrhundert, Uta Grosenick, Köln 2001,p. 66-71.
Sonic Boom, Hayward Gallery, London, 2000.
Against Design, ICA, University of Pennsylvania, Philadelphia, 2000.
Dire AIDS. Arte nell’epoca dell’AIDS, Milan, 2000.
Documentary Notes, Public Art Develoment Trust, London, 2000.
At Home with Art, ed. Colin Painter, London, 1999.
Power, ed. Jan Winkelmann, Galerie für zeitgenössische Kunst, Leipzig, 1999.
Art at the Turn of the Millennium, ed. Burkhard Riemschneider and Uta Grosenik, Cologne 1999.
Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag, Ostfildern, 1998.
Exh.cat. Emotion, ed. Zdenek Felix, Deichtorhallen, Hamburg, 1998.
Mai 98 - Positionen zeitgenössischer Kunst seit den 60er Jahren, ed. Brigitte Oetker und Christiane Schneider, Oktagon, Cologne, 1998.
Exh.cat. Here to stay, ed. Hayward Galery Publishing, by Susan May, London, 1998.
[realisation] kunst in der leipziger messe, ed. Brigitte Oetker and Christiane Schneider, Oktagon, Cologne, 1997.
Un Toit pour tout le monde, FRAC Languedoc-Rousillon, Montpellier, 1997.
EVN Sammlung, Ottenstein, 1997.
Exh.cat. Flexible, Museum für Gegenwartskunst, Zurich, 1997.
Exh.cat. Art from the UK (Teil II), Sammlung Goetz, München, 1997.
Exh.cat. Traffic, Nicolas Bourriaud, CAPC Musée d'art contemporain, Bordeaux, 1996.
Exh.cat. nach weimar, Klaus Biesenbach and Nicolas Schafhausen, Kunstsammlung zu Weimar, Weimar, 1996.
ProjekteProjects, Kunst in der neuen Messe Leipzig, ed. Christiane Schneider and Brigitte Oetker, Leipzig, 1996.
Exh.cat. Live/life, la scène artistique au Royaume Uni en 1996 de nouvelles aventures, ARC, Musée d'Art Moderne de la Ville de Paris, 1996.
Collezionismo, Le opere di sei collezionisti d'Arte Contemporenea, Castello di Rivoli, Museo d'arte Contemporenea, Torino, 1996.
Am Rande der Malerei, Kunsthalle Bern, Bern, 1995.
Das Ende der Avantgarde, Kunst Als Dienstleistung, Sammlung Schürmann, Kunsthalle der Hypo-Kulturstiftung, Munich, 1995.
Exh.cat. Corpus Delicti, London i 90'erne, Torben Christensen and Andrew Renton, Kunstforeningen, Copenhagen, 1995.
Exh.cat. Klang Skupturen Augenmusik Ludwig Museum im Deutschherrenhaus, Städtische Museen, Koblenz, 1995.
Collection, fin XXe, 1983-1995, douze ans d'acquisition d'art contemporain en Poitou Charentes, Olivier Chupin, ed. FRAC Poitou-Charentes, 1995.
Exh.cat. temporary translation(s), Sammlung Schürmann, Kunst der Gegenwart und Fotografie, Deichtorhallen Hamburg, Hamburg, 1995.
Wall to Wall, essay by Liam Gillick, The Southbank Centre, London, 1994
Exh.cat. L‘endroit Ideal (Ideal Place), ed. Eric Troncy, L‘Ile du Roy, Centre d‘art et Jardin, Val de Reuil, 1993.
Art & Business, ed. Marjorie Jacobsen, Thames & Hudson, London, 1993.
Exh.cat. Viennese Story, ed. Jérôme Sans, Vienna Secession, Vienna, 1993.
Documentario 2, ed. Marco Cigolani, Milan, 1993.
Il faut construire l'hacienda, Eric Troncy and Nicolas Bourriaud, CCC, Tours, 1992.
Exh.cat. Dirty Data - Sammlung Schürmann, Ludwig Forum für internationale Kunst, Prof. Wilhelm Schürmann, Aachen, 1992.
États specifiques, essays by Michael Archer and Francoise Cohen, Musée des Beaux-Arts Andre Malraux, Le Havre, 1992.
Il Mistero dei 100 Dollari Scomparsi, (instructions received by Liam Gillick), Gio‘ Marconi, Milan, 1992.
Molteplici Cultura, ed. Carolyn Christov-Barkargiev, Edizione Carte Segrete, Rome, 1992
240 Minuten, Video compilation by Lothar Hempel and Georg Graw, Esther Schipper, Köln,1992.
Exh.cat. No Man‘s Time, CNAC, Villa Arson, Nice, 1991.
Exh.cat. Broken English, essay by Andrew Graham-Dixon, Serpentine Gallery, London,1991.
Plastic Fantastic Lover, essay by Catherine Liu, Blum Helman, New York, 1991.
Wechselstrom. Sammlung Hauser und Wirth in der Lokremise, part 2, ed. Michaela Unterdörfer, Cologne, 1991.
Exh.cat. art>music. An exhibition looking at crossovers between visual art and music, Museum of Contemporary Art, Sydney, 1991
Exh.cat. Bulloch, Hume, Landy, essay by Andrew Renton, Esther Schipper, Cologne, 1990.
Nachschub, ed. SPEX magazine, Köln Show, Cologne, 1990.
Home Truths, essay by Kate Bush, Castello di Rivara, Torino, 1989.



ARTICLES AND REVIEWS


Gockel, Cornelia. ‘Wenn Pixel explodieren,’ Sueddeutsche Zeitung (February 15, 2008): p. 14.
Weskott, Hanne. ‘Alles einer Frage der Perspektive,’ SZ Extra. Sueddeutsche Zeitung (February 14, 2008): p. 4.
Dattenberger, Simone. ‘Klänge einer Sternennacht,’ Münchner Merkur (February 15, 2008).
Popescu, Adina. Preview: The space that time forgot, Lenbachhaus, Kunstbau, München, Artforum International. January 2008, XLVI, No.5, p. 163.
The Producers.’ Roundtable, Artforum International XLVI, No.2, October 2007, pp. 352-359,402.
Prinz, Felix, ‘Welt aus den Angeln’ (review), Texte zur Kunst, September 2007, pp. 252 – 254.
‘Angela Bulloch Installations’, www.wallpaper.com, May 2007.
Rottmann, André, ‘Angela Bulloch at Esther Schipper, Berlin’, Critic’s Picks, www.artforum.com, April 2007.
Van den Hoven, Gerrit, ‘Angela Bulloch gaat door waar Judd stopt’, Brabants Dagblad, 02.01.2006.
Seung-duk, Kim, ‘What Difference Does It Make?’, Frog, Nr. 3, spring/summer 2006, pict. pp. 112 – 116.
Seung-duk, Kim, ‘Power Interview, Angela Bulloch’s Pixel Odessey’, Art in Culture, Nr. 4, 2006.
Herbert, Martin, ‘Angela Bulloch’, Artforum, Nr. 8, April 2006, pict. pp. 218 – 219.
Van den Boogerd, Dominic, ‘Pixels en regels’, Metropolis M, nr. 1, 2006, pict. pp. 14-15.
Dijksterhuis, Edo, ‘Specialistenblind’, Het Financieele Dagblad, 11.02.2006.
Wesseling, Janneke, ‘Baarmoedersentsatie’, NRC Handelblad, 20.01.2006.
de Coninck, Frits, ‘Betoverende pixels’, museum tijdschrift, Januar 2006.
Leeb, Susanne, ‘Possession’, Texte zur Kunst, Dezember 2005, 15. Jahrgang, Heft 50, pp. 193-196, pict. p. 192.
Diedrichsen, Diedrich, ‘Echos von Spiegelsounds in Headphones’, Texte zur Kunst, December 2005, 15. Jahrgang, Heft 50, pp. 42-61, pict. pp. 42, 58.
Bracewell, Michael, Art Review, December, 2005.
Gray, Christopher, ‘Seeing the point of Bulloch’s work’, The Oxford Times, 02.12.2005, p. 2.
Moyer, Twyrlene, Sculpture, November, 2005.
Walsh, Maria, ‘The Light Fantastic’, Art Monthly, December-January 2005-06, pict. cover and pp. 1 – 4.
Clark, Paula, ‘Angela Bulloch’, Oxfordshire Living, p. 63.
Peacocke, Helen, ‘Basking in Light’, Weekend, Supplement to Oxford Times, 14.10 2005.
Hirsch, Faye, ‘Abstract Generations’, Art in America, October 2005, pp. 123 – 129.
Bulloch, Angela, ‘Ascend and Descend into the Light’, Sleek Magazine, Autumn 2005, pp. 96-101.
Mayer, Mariano, ‘Angela Bulloch’, Ae Madrid, 36, January 2005, pp. 22-23.
Solana, Guillermo, ‘Películas ocultas de Angela Bulloch’, El Cultural, 27.1.-2.2.2005, pp. 26-27.
Mayer, Mariano, ‘Angela Bulloch’, Neo2, 40, February 2005, pp. 68-69.
Rebollar, Mónica, ‘Angela Bulloch’, Lápiz, Nr. 210-211, February-March 2005, p. 189.
Stunda, Hilary, ‘Aspen: A Cutting-Edge Museum and First-Rate Galleries’, Artnews, January 2004.
Affentranger-Kirchrath, Angelika, ‘Abstraktion in Pixelform’, Neue Zürcher Zeitung, Nr. 33,10.02.2004, p. 48.
Blomberg, Katja, ‘Kunstrakete auf Traufhöhe’, Süddeutsche Zeitung, Nr. 91, 20.04.2004, p.13.
‘Einblick’, Nr. 51, taz Berlin, 23.6.2004, p. 28.
Coles, Alex, ‘Angela Bulloch: A Storm in a Pixel’, Contemporary, Nr. 65, 2004, pp. 20-23.
Behr, Martin, ‘Betrogen von den eigenen Augen. Grazer Kunsthaus eröffnet den Ausstellungsbetrieb: Einbildung – das Wahrnehmen in der Kunst’, Salzburger Nachrichten, 25./26.10.2003.
Schedlmayer, Nina, ‘Hinters Augenlicht geführt’, Profil 45, 3.11.2003, p. 117.
Hoffmann, Justin, ‘Timewave Zero - The Politics of Ecstasy’, Kunstforum International, Vol. 158, March 2002.
Perret, Mai-Thu, ‘Angela Bulloch’ (review), Frieze, Nr. 65, March 2002, p. 89.
Miller, John, ‘United Colors of BBC’, Texte zur Kunst, 12, 47, September 2002, pp. 153-155.
Desaive, P. Y., ‘Angela Bulloch: Pixels & Rules’, Flux News, 29, September – November 2002, p. 6.
Farquharson, Alex, ‘Angela Bulloch’, Frieze, Nr. 71, November-December 2002, p. 97.
Ekroth, Power, ‘Konsthimmel över Berlin’, Res, October 10/2002, pp. 40-46.
Archer, Michael, ‘Angela Bulloch’, Camera Austria, Nr. 80, 2002, pp. 84-85.
Liebs, Holger, ‘Dingsda’, Süddeutsche Zeitung, 19.8.2002, p. 14.
Marzahn, Alexander/Gerig, Karen, ‘Die Kunst, es so zu sagen, als wär es nie gesagt gewesen’, Basler Zeitung, 20.8.2002, p. 34.
Rebentisch, Juliane, ‘Angela Bullochs digitale Reduktionen/Digital Reductions’, Parkett, 66, 2002, pp. 20-28.
Wilson, Andrew, ‘Vielleicht/Maybe’, Parkett, 66, 2002, pp. 36-42.
Prinzhorn, Martin, ‘Simulation der Simulation (und umgekehrt)/The Simulation of Simulation (and vice versa)’, Parkett, 66, 2002, pp. 50-54.
Babias, Marius/Waldvogel, Florian, Campus 2002, Kokerei Zollverein, Essen 2002, pp. 23, 25.
Sorbello, Marina, ‘Angela Bulloch’, tema celeste, Nr. 83, 2001, p. 102.
Allen, Jennifer, ‘Angela Bulloch’, Artforum, February 2001, p. 161.
Rönnau, Jens, ‘Ein/Räumen - Arbeiten im Museum’, Kunstforum International, 1-3/2001.
Möntmann, Nina, ‘Institutional Critique vs. Corporate Identity’, Texte zur Kunst, Nr. 41, 3/2001
Ruf, Beatrix, ‘Angela Bulloch thematisiert Ordnungssysteme mit Fehlern’, Impuls, 4/2001, p.12.
Mahoney, Elisabeth, ‘Total Object Complete with Missing Parts’, Tramway, Glasgow, 2001.
‘Das Pixel in der Kunst’, Fridolin, 13.09.2001, p. 13.
Koch, Martina, ‘Stellwerk der Wahrnehmung’, St. Galler Tagblatt, 13.09.2001, p. 23.
Kock Marti, Claudia, ‘Auch 'Z Point' für Beatrix Ruf’, Glarner Nachrichten, 12.09.2001, p. 11.
‘Kunterbunte Welt in der Farbbox’, Glarner Nachrichten, 6.9.2001, p. 31.
Hilary Jay, ‘Are we having fun yet?’, Inquirer Magazine, pp. 11-15 (also image on cover).
Sonna, Birgit, ‘Verführung zur Kunst’, Lufthansa Magazin, 4/2000, pp. 6-18.
‘Zeit für Kunst/Time for Art’, Zeitgenössische Kunst am Hauptsitz der Winterthur Gruppe in Winterthur (Faltblatt), 2000.
Jones, Jonathan, ‘A Home Of Your Own’, Frieze, Nr. 50, January-February 2000, pp. 50-53.
Sozanski, Edward J., ‘Along the fuzzy boundary between design and art’, The Philadelphia Inquirer, 13.2.2000, p. 11.
Röllin, Christian, ‘Art and Communication’, Winfo, March 2000, pp. 17-20.
‘Kunst-Szenen. In Pixeln sehen - Angela Bulloch’, Neue Zürcher Zeitung, no. 87, 12.4.2000,p. 46.
Jammers, Judith, ‘Pixel in der Dingwelt’, Berliner Zeitung, Nr. 247, 23.10.2000, p. 16.
UK Art 2000, The British Council, October - December 2000.
Von Osten, Marion, ‘Es läuft alles nach Plan’, Texte zur Kunst, 09/2000, vol. 10, issue 39, pp. 189-196.
Blase, Christoph, ‘Leuchte, Pixel, leuchte hell’, Frankfurter Allgemeine Zeitung, Berlin pages, 1.11.2000, No. 254, p. BS4.
Ebeling, Knut, ‘Das Maß der Pixel’, Der Tagesspiegel, No. 17 222, 4.11.2000, p. 28.
Sommer, Tim, ‘Wechselspiel von Macht und Unterordnung’, LVZ, 19.4.1999.
Hellmich, Sigrun, ‘Hochexplosiver Stoff?’, Sächsische Zeitung, 15./16.5.1999.
Müller, Ulrich, ‘Von Phall zu Fall’, Zitty, 13/99, p. 57.
Bonik, Manuel, ‘Kunsthauptstadt Berlin’, GQ, 12/99, p. 60-68.
Troncy, Éric, ‘Que choisir?’ BeauxArts magazine, numéro spécial, Qu’est-ce que l’art (aujourd’hui)/What is art (today), December 1999, pp. 102-105.
‘Art to Die for’, The Guardian Weekend, 09.10.1999, pp. 68-70.
Reust, Hans Rudolf, ‘Angela Bulloch’, Artforum, issue 37, December 1998.
Winkelmann, Jan, ‘Angela Bulloch’, artist, issue 35, 2/1998, p. 4-7.
Manuel Bonik, ‘Berühren erlaubt’, Spiegel Kultur Extra (Spiegel Online, 17/98).
Ebeling, Knut, ‘Wie die Lichtorgel im Partykeller’, Der Tagesspiegel, No. 16385, 4.7.1998, p.28.
Lindner, Norman, ‘Installationen von Angela Bulloch in der Galerie Schipper & Krome’, taz die tageszeitung, 23.6.1998, p.24.
Hauffen, Michael, ‘Angela Bulloch’, Kunstforum International, Vol. 141, Juli/September 1998, p. 420.
David Perreau, ‘Replay’, Omnibus, Nr. 25, July 1998, p. 13.
Fabienne Fulchéri, ‘Bouffée d’oxygène au Havre’, Technikart, Nr. 21, 1998, p. 100.
May, Susan, ‘Angela Bulloch’, Here to stay. Arts Council Collection purchase of the 1990s, London, 1998, pp. 22-23.
Tsingou, Emily, ‘Angela Bulloch’, Flash Art, March/April 1997, p. 122.
Bussel, David, ‘Angela Bulloch’, Frieze, No. 35, June-August 1997.
Sonna, Birgit, ‘Der Rest ist Schwitzen’, SZ, No. 198, 29.8.1997.
Shone, Richard, ‘Head Turners’, Artforum, issue 36, September 1997.
Jahn, Andrea, ‘Angela Bulloch: Sound Bank’, Springer, Hefte für Gegenwartskunst, Vol. 2, issue 3/97, p. 73.
‘Go shoot yourself’, ISM, 13/12/1997, p. 26 ff.
Vogel, Sabine B., ‘Setz dich, es geht los’, FAZ Frankfurter Allgemeine Zeitung, 15.09.1997, p. 30.
Cross, Andrew, ‘Angela Bulloch’, Art Monthly, No. 202, Dec./Jan. 1996.
Roshani, Anuschka, ‘Künstlerwahnsinn’, Spiegel Extra, issue 12.12.1996.
Reust, Hans Rudolf, ‘Szenen aus Betaville’, Kunstforum, Vol. 135, 1996.
‘Le bazar savant de l'art britanique’, Libération, 10.10.1996, p. 30.
Gillick, Liam, ‘Like turning a chair into a switch’, Documents sur l`art, No. 8, 1996.
Muscionico, Daniele, ‘Meer aus Steckdose’, Neue Zürcher Zeitung, 18.9.1996.
Spinelli, Claudia, ‘Klick, klack, Meer an, Meer aus’, Basler Zeitung, 28.8.1996.
Schmitz, Rudolf, ‘Wo bleibt der Körper?’, FAZ Frankfurter Allgemeine Zeitung, 23.11.1995.
Cuvelier, Pascaline, FRAC Languedoc Roussillon 1994.
Troncy, Eric, ‘CCC Tours’, Art Press 1994, p. 187.
Archer, Michael, ‘Angela Bulloch’, Paletten, April 1994.
Papadopoulos, Helena, ‘Angela Bulloch, Sylvie Fleury’, Flash Art, No. 176, 1994.
Brignone, Patricia, ‘Angela Bulloch’, Artefactum, Summer 1994.
Verzotti, Giorgio, ‘Angela Bulloch’, Artforum, April 1993.
Volkart, Yvonne, ‘Eleven Women’, Flash Art, October 1993.
Verzotti, Giorgio, review of Aperto‚ 93, Flash Art, October 1993.
Lillingtion, David. review of ‘ON’ at Interim Art, Time Out, No. 1169, 13-20 January 1993.
Plastic Fantastic Lover’, Arts Magazine, January 1992, p. 81.
Kalin, Tom, ‘Plastic Fantastic Lover’, Artforum, January 1992, p. 120.
Bonami, Francesco, ‘Plastic Fantastic Lover, Master and Mistresses’, Flash Art, No. 162, Jan./ Feb. 1992, p. 125.
Bonami, Francesco, ‘Angela Bulloch-Lonesome Comedy’, Flash Art, No. 163, March/April 1992.
Cameron, Dan, ‘Don't look Now‘, Frieze, issue 3, 1992, p. 4-8.
Weil, Benjamin, ‘Cut it out’, Freeze, April/May 1992.
Smolik, Noemi, Müll, ‘Kunst und Leben’, Kölner Stadtanzeiger, No. 164, 17 July 1992.
Weil, Benjamin, ‘Angela Bulloch’, Flash Art, No. 166, October 1992.
Mack, Gerhard, ‘Mehrerlei Comics’, Kunst Bulletin, November 1992, p. 20-23.
Bourriaud, Nicolas, ‘The Work of Art in the Age of Ecological Recycling’, Flash Art, No. 167, Nov./Dec. 1992.
‘Farbe per Funksignal’, Kölner Illustrierte, January 1991.
Frank, Peter, ‘Common Market’, Boyd Webb, Dominique Blain, Anthony Gormley, LA Weekly, February 16, 1991.
Lebrero Stals, Jose. Flash Art, No. 157, March/April 1991.
Gillick, Liam, ‘The Placebo Effect’, Arts Magazine, May 1991.
Zahm Olivier, ‘Rêve, Fantasie’, Artforum, May 1991.
Kent, Sarah, ‘Breaking Ground’, Time Out, No. 1095, August 14-21, 1991.
Troncy, Eric, ‘Soft Touch’, Artscribe, September 1991.
Jouannais, Jean Yves, Artpress, October 1991.
Smith, Roberta, ‘Plastic Fantastic Lover’, The New York Times, November 1, 1991.
Verzotti, Giorgio, ‘No Man's Time‘, Artforum, November 1991.
Troncy, Eric, ‘No Man's Time’, Flash Art, No. 161, Nov./Dec. 1991.
Troncy, Eric, ‘Wall Drawings and Murals’, Flash Art, No. 170, 1991, p. 68-70.
Koether, Jutta, ‘Three from England’, Flash Art, Jan./Feb. 1990.
Renton, Andrew, Blitz, March 1990.
Renton, Andrew, ‘Plotting’, Performance, No. 62, 1990.
Jennings, Rose, ‘City Limits’, March 8, 1990.
Letter from London, Contemporanea, March 1990.
Currah, Mark, City Limits, March 22, 1990.
Lillington, David, ‘Time Out’, March 21, 1990.
Renton, Andrew, Flash Art, No. 153, Summer 1990.
McGeown, Martin, Art Press, No. 148, June 1990.
Koether, Jutta, ‘It's a Maggot Farm, the B-Boys and Fly Girls of British Art: Five Statements and a Conversation’, Artscribe, Summer 1990.
Graham-Dixon, Andrew, ‘The World of Interiors, The Independent’, August 28, 1990.
Zahm, Olivier, Art Press, No 150, September 1990.
Feaver, William, ‘Exorcise classes for the obsessed’, The Observer, September 2, 1990.
Allthorpe-Guyton, Marjorie, ‘Seven Obsessions’, Artforum, November 1990.
Gillick, Liam, ‘Seven Obsessions’, Flash Art, No. 155, Nov./Dec. 1990.
Smolik, Noemi, ‘Werk ohne Schöpfer’, Kölner Stadtanzeiger, December 12, 1990.
Bulloch, Angela, ‘40 Under 40: The New Generation in Britain’, Art & Design, June/July 1989.
Jeffrey, Ian, Freeze, London 1988

AWARDS AND GRANTS

2011

Vattenfall Contemporary Art Prize, Berlinische Galerie, Berlin, Germany
Visual Arts Grant, The Canada Council for the Arts, Ottawa, Canada

2005
Nomination, Award of the Friends of the National Gallery, Hamburger Bahnhof Museum für Gegenwartskunst, Berlin, Germany

2002
ASEF (Asia-Europe Foundation) Cultural Gran

1994
Two months artist residency, ARCUS-project, Moriya, Japan

1989
Whitechapel Artists’ Award



Work Exhibitions Curriculum
Angela Bulloch
Restricted Area