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MATT MULLICAN
Born in Santa Monica, CA, USA, in 1951.
Lives and works in New York and Berlin.

EDUCATION
California Institute of the Arts, Valencia, B.F.A., 1974


SELECTED SOLO EXHIBITIONS

2015
Matt Mullican - Galerie Micheline Szwajcer, Brussels

2014
Matt Mullican - That World/Ese mundo - Museo Tamayo, México City
Matt Mullican - Books Representing Books - Kunsthalle Mainz, Mainz, Germany

2013

Matt Mullican - Jablonka Galerie - Köln, Cologne
Matt Mullican - A Single Line - Cristina Guerra Contemporary Art, Lisbon
Wall Works - Hamburger Bahnhof - Museum für Gegenwart, Berlin
Notebooks: Prints by Matt Mullican - Joel & Lila Harnett Museum of Art - University of Richmond, Richmond,VA
Matt Mullican - That World / Ese mundo - Museo Tamayo, Mexico City
It Is Only A State Of Mind - Heidelberger Kunstverein, Heidelberg
Sobre Papel / On Paper - Centro de Artes Visuales Helga de Alvear, Cáceres

2012
Who feels the most pain in the five worlds - Mai 36 Galerie, Zurich
Two into One becomes Three - Klosterfelde, Berlin
Sutton Lane - Paris, Paris
Galerie Micheline Szwajcer, Antwerp

2011
City - Projectesd, Barcelona
Behind That Person - Tracy Williams, Ltd, New York City, NY
vom ordnen der welt - Haus der Kunst München, Munich
Galerie Daniel Blau, Munich

2010
12 by 2 - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne
Kröller-Müller Museum, Otterlo
Matt Mullican: Works from the 1980s and 90s - SolwayJones, Los Angeles, CA

2009

Description and image For the blind man in the dark room looking for the black cat that isn’t there - Contemporary Art Museum St. Louis, Saint Louis, MO
Matt Mullican, Cristina Guerra Contemporary Art, Lisbon .
Matt Mullican - City as a map (of ideas) - GAK - Gesellschaft für Aktuelle Kunst e.V. Bremen, Bremen
La planete des signes (Erudition concrete 1) - FRAC - Ile-de-France Le Plateau, Paris
Haus der kunst, Munich, Germany
Five x Five, Galerie Nelson-Freeman, Paris, France
Cosmology, Mai 36 Galerie, Zurich, Switzerland
Matt Mullican, Galerie Johann Widauer
STUK Kunstencentrum, Leuven, Belgium

2008

Matt Mullican: A Drawing Translates the Way of Thinking, The Drawing Center, NY (cat.)
Subject Driven, Klosterfelde, Berlin, Germany
Matt Mullican: Notating Cosmology, ProjecteSD, Barcelona, Spain
PONG: John Baldessari / Matt Mullican, Tracy Williams, Ltd., New York
Zeigen, Audiotour by Karin Sander through Kunstverein Arnsberg; Berlin, Germany
Galerie Micheline Szwajcer, Antwerp, Belgium
Combination of the Two, Karsten Schubert, London, United Kingdom

2007
Matt Mullican, Galerie Georg Kargl, Vienna, Austria

2006
Stuttgart Airport, Germany
Editionen, Helga Maria Klosterfelde, Hamburg, Germany
Matt Mullican, Talking the Talk, Walking the Walk, Mai 36 Galerie, Zurich, Switzerland
Room Number 4, Cristina Guerra Contemporary Art, Lisbon, Portugal
Matt Mullican: Works from the 70's and 80's, Tracy Williams Ltd., New York, New York
Direct Cast – Neue Skulpturen, Galerie Daniel Blau, Munich, Germany
Breaking Up is Hard to Do, ProjecteSD, Barcelona, Spain
Five Suitcases of Love, Truth, Work and Beauty, Christine Burgin, New York, New York
Model Architecture, Lentos Kunstmuseum, Linz, Austria (cat.)

2005
O.K. Centrum Fur Gengenwartskunst, Linz, Austria
Galerie Nelson, Paris France
Ismaninger Museum (Kallmann Museum Munich Germany)
Learning From That Person’s Work, Ludwig Museum, Cologne, Germany (cat.)

2004

Mullican World, FRAC Picardie, Amiens, France
Nothing Should Exist, Tracy Williams, Ltd., New York, New York
Mai 36 Galerie, Zürich, Switzerland
International Kunstcentrum de Singel, Antwerp, Belgium

2003
Matt Mullican, Hypnosis Performance, Kunsthalle Zurich, Zurich, Switzerland
Matt Mullican, Trance/Performance, 10th Biennial of the Moving Image, Centre pour l’Image Contemporaine, Geneva, Switzerland
Cristina Guerra Contemporary Art, Lisbon, Portugal

2002
Mai 36 Galerie, Zürich, Switzerland
Johann Widauer, Innsbruck, Austria
Performance Live - Under Hypnosis, Anton Kern Gallery, New York

2000-01
Details from an imaginary universe, Fundação Serralves, Portugal, traveling to: Museum of Modern Art, Oxford, England; Foundació Antoni Tapies, Barcelona, Spain; Kunstverein St. Gallen, St. Gallen, Switzerland; Kaiser Wilhelm Museum Krefeld, Germany; Museion, Bolzano, Italy. (cat.)
Klosterfelde, Berlin
Galerie Massimo De Carlo, Milan, Italy
Galerie Philip Nelson, Paris

2000

Bulletin Boards, Murray Guy, New York
Galerie Georg Kargl, Vienna, Austria
Galerie Daniel Blau, Munich
Brooke Alexander Gallery, New York
Henry Urbach Architecture, New York
Mai 36 Galerie, Zurich
Los Angeles Contemporary Exhibitions, Los Angeles

1999

Details from an Imaginary Universe, Städtische Galerie im Lenbachhaus, Munich
Forum for Contemporary Art, St. Louis, MO

1998

Stedelijk Museum Schiedam, the Netherlands. (cat.)
Marian Goodman Gallery, Paris
Mai 36 Galerie, Zurich
New Edinburgh Encyclopedia: the paintings, 1991/1997; Matt Mullican Under Hypnosis, 1996, Brooke Alexander, New York

1997

Galerie Daniel Blau, Munich
Helga Maria Klosterfelde, Hamburg
Wolfsberg Executive Development Centre, Ermatingen, Switzerland Hofgarten am Gendarmenmarkt, Berlin
Stedelijk Van Abbemuseum, Eindhoven, Netherlands (with Lawrence Weiner)
Massimo De Carlo, Milan, Italy
Matt Mullican under Hypnosis, Roomade, Manhattan Centre, Brussels, Belgium; Kunstverein Arnsberg, Germany
Bard College, Center for Curatorial Studies, Annandale-on Hudson, NY

1996

Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
Matt Mullican: Works on Paper, Janice Guy, New York
Galerie Michael Cosar, Dusseldorf, Germany
Matt Mullican, Philippe Thomas, Museum Friedericianum, Kassel, Germany

1995

Nationalgalerie, Berlin, Germany
IVAM, Centre del Carme, Valencia, Spain. (cat.)
New Works, Mai 36 Galerie, Zurich, Switzerland
Daniel Blau, Munich, Germany
Synaxis (with Per Kirkeby), Domaine de Kerguehennec, France

1994
Rosebud (with Lawrence Weiner and Jenny Holzer), Lenbachhaus, Munich Germany. (cat.)
Wiener Secession, Vienna, Austria. Brochure Kunstverein Hamburg, Germany

1993
Kunstmuseum, Lucerne, Switzerland
Massimo De Carlo, Milan, Italy
Carl Solway Gallery, Cincinnati, Ohio

1992
Galerie Metropol, Vienna, Austria
Barbara Gladstone Gallery, New York
University of South Florida Art Museum, Tampa, FL.
Artist's book, Texas Gallery, Houston
Ghislaine Hussenot, Paris
Santa Barbara Museum of Modern Art, Santa Barbara, CA
Kuhlenschmidt Gallery, Los Angeles

1991
De Appel, Amsterdam, The Netherlands
Rijksmuseum Kroeller-Mueller, Otterlo, Netherlands
Matt Mullican: Recent Projects, Brooke Alexander Gallery, New York
In the Crack of the Dawn, Matt Mullican/Lawrence Weiner, Mai 36 Galerie, Lucerne, Switzerland. (Artists' book)
Galerie Fahnemann, Berlin

1990

Ecole Regionale Superieur d'Espression Plastique, Tourcoign, France. (cat.)
List Art Center, Massachusetts Institute of Technology, Boston, (cat.)
Portikus, Frankfurt am Main, Germany

1989

Mario Diacono Gallery, Boston. (brochure)
Galerie Albert Baronian, Brussels, Belgium
Galerie Bruges La Morte, Bruges, Belgium
Oregon Art Institure, Portland, OR; traveled to: Western Washington University, Bellinghan, Washington, (brochure)
Projects; Matt Mullican, Museum of Modern Art, New York
Galerie Ghislaine Hussenot, Paris, France
Kuhlenschmidt Gallery, Los Angeles
Fuller-Gross Gallery, San Francisco
Works; Matt Mullican, Hirshhorn Museum and Sculpture Garden, Washington, DC
Mullican + Mullican (with Lee Mullican), Johnson Gallery, University of New Mexico, Albuquerque

1988
Untitled, 1987-88, Winnipeg Art Gallery, Winnipeg, Canada, (cat.) traveled to Manufrance, St. Etienne, France; FRAC Rhone-Alps;The Brooklyn Museum, Brooklyn, NY; San Diego State University, San Diego, CA Bath International Festival, Bath, England, (cat.)
Matt Mullican: Photographs and Posters, Riverside Studios, London
Cad Solway Gallery, Cincinnati, OH
Mai 36 Galerie, Lucerne, Switzerland, (cat.)
Lawrence Oliver Gallery, Philadelphia
Michael Klein Inc., New York, NY

1987

Kuhlenschmidt/Simon Gallery, Los Angeles
Concentrations 15, Dallas Museum of Art, Dallas, TX
Fuller Goldeen Gallery, San Francisco
Banners, Monuments and the City, Moore College of Art, Philadelphia, (cat.)
Michael Klein Inc., New York, NY

1986
The Clocktower, New York, NY
Michael Klein Inc., Amsterdam
The Everson Museum of Art, New York


1985
Galerie Tanja Grunert, Cologne
Richard Kuhlenschmidt Gallery, Los Angeles
Mclntosh/Drysdale Gallery, Washington, DC

1984

Schellmann and Kluser, Munich
The Queens Museum, Flushing Meadows, Corona Park, New York
Centre d'Art Contemporain, Geneva, Switzerland
Mary Boone Gallery, New York

1983
Texas Gallery, Houston
Institute of Contemporary Art, Boston

1982

Mary Boone Gallery, New York
Galerie Chantal Crousel, Paris
France Luigi de Ambrogi, Milan
Instituto Franco-Americain, Rennes, France

1981

Tanja Grunert, Stuttgart, Germany
Saman Galteria, Genoa, Italy

1980

Mary Boone Gallery, New York, NY

1979

Foundation for Art and Resources, Los Angeles
The Kitchen, New York

1978

Nova Scotia College of Art and Design, Halifax, NS, Canada
The Kitchen, New York

1976
Artists Space, New York

1973

Project, Inc., Boston



SELECTED GROUP EXHIBITIONS

2014
Der Leone Have Sept Cabeças - Crac Alsace, Altkirch
Curiosity - de Appel arts centre, Amsterdam
Wall Works - Hamburger Bahnhof - Museum für Gegenwart, Berlin
Cristina Guerra Contemporary Art ON DRAWING II - group show - Cristina Guerra Contemporary Art, Lisbon
Group Show - Galerie Micheline Szwajcer, Antwerp
Dirge: Reflections On [Life And] Death - MOCA - Museum of Contemporary Art Cleveland, Cleveland, OH
El Hotel Eléctrico - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp
Description Take It Or Leave It: Institution, Image, Ideology - Hammer Museum, Los Angeles, CA
O OLHO DO TIGRE - Obras da Colecção Sarmento - Appleton Square, Lisbon
Curiosity: Art and the Pleasures of Knowing - The Exchange, Penzance, Cornwall
Curiosity: Art and the Pleasures of Knowing - Newlyn Art Gallery, Newlyn
Description and image Mai 36 Galerie 1984? - Mai 36 Galerie, Zurich
Description and image Georg Kargl Fine Arts & Georg Kargl Box Texte In der Kunst - Georg Kargl Fine Arts & Georg Kargl Box, Vienna

2013
It Is Only A State Of Mind - Heidelberger Kunstverein, Heidelberg
Die Sammlung #4 - 21er Haus, Vienna
Description Elements, Rudiments and Principles - Boston University Art Gallery - BUAG, Boston, MA
Mínima resistencia - Museo Nacional Centro de Arte Reina Sofía, Madrid
Curiosity: Art And The Pleasures Of Knowing - Norwich Castle Museum & Art Gallery, Norwich
Description The Mediterranean Experience: The Mediterranean as a spatial paradigm for the circulation of ideas and meaning. - MMCA Macedonian Museum of Contemporary Art, Thessaloniki
Painting Forever! Keilrahmen - Kunst-Werke Berlin - KW Institute for Contemporary Art , Berlin
Holes in the Walls Early Works 1948-2013 - Fri Art - Centre d'Art Contemporain, Fribourg
Nenn mich nicht Stadt! - Künstlerische Positionen zur Urbanität heute - Kunstmuseum St.Gallen, St. Gallen
Description La persistencia de la geometría - Museo Universitario de Arte Contemporáneo - MUAC, Mexico City
Kaboom! Comic in der Kunst - Weserburg | Museum für moderne Kunst, Bremen
Push pins in elastic space - Galerie Nelson-Freeman, Paris
Sobre Papel / On Paper - Centro de Artes Visuales Helga de Alvear, Cáceres
Biennale di Venezia - 55th International Art Exhibition - La Biennale di Venezia, Venice
Curiosity: Art and the Pleasure of Knowing - Turner Contemporary, Margate, Kent
Visionen - Atmosphären der Veränderung - MARTa Herford, Herford
The Temptation of the Diagram - Andrea Rosen Gallery, New York City, NY
Less Like An Object More Like The Weather - Bard College, Annandale-on-Hudson, NY
Yes Naturally - Gemeentemuseum Den Haag, The Hague
It is only a state of mind - Neue Gesellschaft für Bildende Kunst (NGBK), Berlin
The Architectural Ellipsis - Centro Cultural Universitario Tlatelolco, Mexico City
Evropská grafika - Galerie Litera, Prague
Ersatz Affiches - Tracy Williams, Ltd, New York City, NY

2012
Matt Mullican - Who feels the most pain in the five worlds - Mai 36 Galerie, Zurich
Matt Mullican - Two into One becomes Three - - Klosterfelde, Berlin (closed)
Matt Mullican - Sutton Lane - Paris, Paris
Matt Mullican - Galerie Micheline Szwajcer, Antwerp

2011
Matt Mullican - City - Projectesd, Barcelona
Behind That Person - Tracy Williams, Ltd, New York City, NY
Matt Mullican - vom ordnen der welt - Haus der Kunst München, Munich
Matt Mullican - Galerie Daniel Blau, Munich

2010
12 by 2 - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne
Matt Mullican - Kröller-Müller Museum, Otterlo
Matt Mullican: Works from the 1980s and 90s - SolwayJones, Los Angeles, CA

2009
The Pictures Generation, Metropolitan Museum of Art, NY
Time as Matter, Museu D’Art Contemporani De Barcelona, Barcelona, Spain
Vraoum!, La Maison Rouge, Paris, France
Drawing in the World, The University of the Arts, College of Art and Design, Rosenwald-Wolf Gallery, Philadelphia, PA
Just What Are They Saying… Jonathan Ferrara Gallery, New Orleans, LA

2008

Knockin’ on Heaven’s Door, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
28th São Paulo Biennial, Brazil
The Puppet Show, Santa Monica Museum of Art, CA; Contemporary Museum, Honolulu
SAND: Memory, Meaning and Metaphor, The Parrish Art Museum, NY
Freedom, Den Haag Sculptuur, The Hague, Netherlands
Situations: 'The artist is a mysterious entertainer', Stitchting De Appel, Amsterdam
Whitney Biennial 2008, The Whitney Museum of American Art, New York
The Puppet Show, Institute of Contemporary Art, University of Pennsylvania, PA
Zeigen, Audiotour by Karin Sander, Kunstverein Arnsberg, Arnsberg
Traces du Sacré, Centre Georges Pompidou, Paris, France

2007
Gagosian Gallery, New York
Diagrammatic Logic: Selections from the Collection, MCASD, La Jolla
Auto Emotion, Autobiography, emotion and self-fashioning, The Power Plant, Toronto
REALLIFE Magazine: 1979-1990, Artists Space, New York
The Secret Theory of Drawing, The Model Arts Centre & Niland Gallery, Sligo, Ireland (cat.)
Timeout. Art and Sustainability, Kunstmuseum Liechtenstein, Vaduz
Cosmologies, James Cohan Gallery, New York

2006

The Secret Theory of Drawing, The Drawing Room, London (cat.)
Looking Back, White Columns, New York
The 80’s: A Topology, Museu de Serralves, Porto
Pictograms, The Loneliness of Signs, Kunstmuseum, Stuttgart (cat.)

2005
Ecstasy. In and About Altered States, MOCA, Los Angeles (cat.)
Traces Everywhere, Tracy Williams, Ltd., New York, New York

2004

Global World/Private Universe, Kunstmuseum St. Gallen
Herzog & De Meuron + Matt Mullican u.a., Stampa, Basel

2003
Paradise/Paradox, Castle Gallery, College of New Rochelle, New Rochelle
Christine Burgin Gallery, New York
Re-Produktion 2, Georg Kargl, Vienna, Austria
Mapping a City: Hamburg-Kartierung, Kunstverein, Hamburg, Germany

2002
Manifeste, oder: Ergriffenheit – was ist das? Frühe Standards seit 1960, Galerie Daniel Blau, München
Iets Wat Zoveel Kost, Is Alles Waard. 10 Nederlandse privé-collecties, De Beyerd, Breda (NL)
L'Effet Larsen, Casino Luxembourg, Forum D'Art Contemporain
Transformer, Porin Taidemuseo, Pori, Finland

2001
L'Effet Laresen, O.K. Centrum fur Gegenwartskunst, Linz
Project Ansitz Lowengang, Magre, Italy
Matt Mullican Uri Tzaig, Galerie Heimer und Partner, Berlin
Digital Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY

1999 
Drawings, Alexander and Bonin Gallery, New York
Utopia 2, Same Player Shoots Again, Arti et Amicitiae, Amsterdam
Souvenirs: Collecting, Memory, and Material Culture, Guild Hall Museum East Hampton, NY
Stimuli, Witte de With, Center for Contemporary Art, Rotterdam
Text & Signifier, Cad Soloway Gallery, Cincinnati, Ohio
Laboratorium, Antwerp Open, Antwerp, Belgium
Anticipation, version 4, Centre pour I'image Contemporaine, Saint-Gervais, Geneva

1998
Artranspennine 98, organized by The Henry Moore Sculpture Trust, and Tate Gallery Liverpool. Various locations across the transpennine region. (cat.)
Traces of Science in Art, Royal Netherlands Academy of Arts and Sciences (KNAW), Amsterdam, Netherlands
Mostrato, Centro Culturale d'Arte, Pescara, Italy
Parallel Worlds, Southeastern Center for Contemporary Art, Winston-Salem, NC
Fast Forward, Kunstverein Hamburg, Germany
The Edge of Awareness, Geneva, New York, Sao Paolo, New Delhi
Altered States, Festival a/d Werf, Utrecht, the Netherlands. (cat.)
Artranspennine 98, Tate Liverpool, England
Deep Thought, Basilico Fine Arts, New York
Anticipation-Version 4, Centre pour I'Image contemporaine, Geneva, Switzerland
Pictures for the Blue Room, The Vigeland Museum, Oslo, Norway
Jahresgaben, Kunstverein Arnsberg, Arnsberg, Germany
Poseidon's Eye, European Cultural Month, Site work, Linz, Austria
Modular Composite, Central Fine Arts, New York
Peripheral Aspects of Drawing, Galerie Maerz, Linz, Austria. (cat.)

1997

Another & another & another act of seeing (urban space), International Kunstcentrum deSingel, Antwerp, Belgium
Miniaturen, Deichtorhallen, Hamburg
Heaven, P.S.1 Contemporary Art Center, New York
Kunstlerlnnen, Kunsthaus Bregenz, Vienna, Austria
Documenta X, Kassel, Germany
The Private Eye in Public Art, LaSalle Partners at National Bank Plaza, Charlotte, NC
lost in space, Kunstmuseum Luzern, Switzerland
ICONS: Magnets of Meaning, San Francisco Museum of Modern Art, San Francisco

1996
Hybrids, De Appel, Amsterdam, Netherlands
Spaced Out, Kunstverein Munich, Germany
Fragmenfie/Fragmentation, Triple X Festival, Amsterdam, Netherlands
Under Capricorn, Stedelijk Museum, Amsterdam
The World Over, City Gallery, Wellington, New Zealand
Auto Reverse 2, Le Magasin, Grenoble, France
How the Chicken Crossed the Road, Mai 36 Galerie, Zurich
New York City: Matt Mullican, Gerard Titus Carmel, Richard Tuttle, FRAC Picardie, Amiens, France
Artistes/Architectes, Nouveau Musee, Villeurbanne, France

1995

La galerie est devenue rose, Galerie Valleix, Paris, France
Pittura/lmmedia, Neue Galerie am Landesmuseum Joanneum and Kunsthaus Graz, Austria
Passions privées - art moderne et contemporain dans les collections particulieres en France, Musee d'Art Moderne de la Vlle de Paris, France. (cat.)
Dialogues de Paix, Palais des Nations, Geneva
20 Years of Hallwalls Contemporary Arts Center 1975-1995, Burchfield-Penney Art Center, Buffalo State College, Buffalo, NY

1994
Tuning Up, Kunstmuseum Wolfsburg, Germany
Landscape as Metaphor, Denver Art Museum, traveled to Columbus Museum of Art, Ohio
The Ideal Place, Haags Centrum voor Aktuele Kunst, Netherlands
Out of this World, Contemporary Art Museum, Houston
Version 1.0, Saint-Gervais, Geneva
Dokumentation Realisierter Projekte, Werkstatt Kollerschlag, Austria

1993

Network, The Olympic Collection 94, Kunstnernes Hus, Oslo, Norway
At the Edge of Chaos, Louisiana Museum of Modem Art, Humblebaek, Denmark
First Europeans, Grosse Orangerie des Schlosses Charlottenburg, Berlin, (cat.)
Media Passage, intercommunication 93. Shibuya BEAM Hall, Tokyo, (cat.)
New Sculpture for Middelheim, Open Air Museum, Middelheim, Belgium
42nd Street Art Project, sponsored by Creative Time, New York
Binaera, Kunsthalle Wien, Austria. (cat.)
Fire, Earth, Wafer, Deichtorhallen Hamburg
Computerunterstützte Kunst, Musee d'Art Moderne et Contemporain Strasbourg, France

1992
Documenta IX, Kassel, Germany
Transform: Bild Objekf Skulptur im 20. Jahrhundert, Kunsthalle and Kunstmuseum Basel, Switzerland, (cat.)
c. 1980, Barbara Gladstone Gallery, New York
Excess in the Techno-Mediacratic Society, Musee Sarret de Grozen et Tour Gloriette, Arbois, France
Allocations/Art for a Natural and Artificial Environment, Zoetermeer, Netherlands (cat.)
Sculpture and Multiples, Brooke Alexander, New York

1991
We produce, We Show, Werkstatt Kollerschlag, Austria
Drawings, Brooke Alexander, New York

1990
A New Necessity, The First Tyneside International Festival, Newcastle, England About Round, Round About, Anders Tornberg Gallery, Lund, Sweden
Works on Paper, The Harcus Gallery, Boston
Exchange of Information, New York Telephone Building, New York
Word as Image: American Art 1960-1990, Milwaukee Art Museum, WI (cat.)
Selected Prints and Multiples, Mai 36 Galerie, Lucerne, Switzerland
All Quiet on the Western Front, Gallerie Antoine Candeau, Paris, France
La Diaphane, Ecole Regionale Superieure d'Expression Plastique, Tourcoign, France
Le Cargo, Grenoble, France

1989
Altered States, The Harcus Gallery, Boston
New York Artists, Linda Farris Gallery, Seattle
Words and Images - Seven Corporate Commissions, The Cleveland Center for Contemporary Art, OH
Conspicuous Display, Stedman Art Gallery, Rutgers, The State University of New Jersey, Camden, NJ
Messages, Didactic Gallery, Plano, TX
A Forest of Signs, The Temporary Contemporary, MOCA, Los Angeles, CA 1989
Biennial Exhibition, The Whitney Museum of American Art, New York Art of the Eighties - from the Collection of the Chemical Bank, Montclair Art Museum, Montclair, NJ
Hommage á la Declaration Universelle des Droits de I'Homme, Centre D'Art Contemporain, Geneva
Public Domain, Kent Gallery, New York
Selected Works from the Frederick R. Weisman Foundation, Frederick S. Wight Art Gallery, UCLA; Joslyn Museum of Fine Art, Omaha; Neuberger Museum, SUNY Purchase, Akron Art Museum, Akron
32 Portraits;Photography in Art, The Hague Contemporary Art Foundation, Netherlands
Remembering the Future, The New York World's Fairs from 1939 to 1964, The Queens Museum, New York
The Silent Baroque, Galerie Thaddeus Ropac, Salzburg, Austria
Image World: Art and Media Culture, The Whitney Museum of American Art, New York
Projects and Portfolios, the 25th National Print Exhibition, The Brooklyn Museum, New York
Scultura da camera, Castello Svevo, Bari, Italy
Drawings, Daniel Newburg Gallery, New York
Benefit for the Wooster Group, Brooke Alexander Editions, New York

1988
Group Exhibition, Galerie De Lege Ruimte, Brugge, Belgium
Works on Paper, Curt Marcus Gallery, New York
Sculptures de Chambres, Centre d'Art Contemporain, Geneva Group Show, Lawrence Oliver Gallery, Philadelphia
Life Like, Lorence Monk Gallery, New York
Group Show, Ministere de la Culture et de la Communication, Centre National des Arts Plastiques, Paris, France
Desire Paths, Schulman Sculpture Garden, Schulman Reality, White Plains, NY, curated by Helen Horowitz
Betekenis, Printinghouse Mart. Spruijy bv., Amsterdam, Netherlands
Matt Mullican, Annette Lemieux, Ericson/Ziegler, Fuller Gross Gallery, San Francisco
The New Urban Landscape, North Gatehouse, World Financial Center, New York
The Inside and the Outside, Rhona Hoffman Gallery, Chicago, IL

1987
Avant Garde in the 80's, Los Angeles County Museum of Art, Los Angeles
L’Epoque, la Mode, la Morale, la Passion, Centre Georges Pompidou, Paris
A Different Corner, Definition and Redefinition, Painting in America, First Bienal Internacional de Pintora, Museo del Arte Moderna, Cuerva, Equador. (cat.)
On Paper, Curt Marcus Gallery, New York
Monsters: The Phenomena of Dispassion, Barbara Toll Fine Arts, New York Wrinkled, Burnett Miller Gallery, Los Angeles
Schema, Baskerville and Watson Gallery, New York
CalArts: Skeptical Belief(s), The Renaissance Society at the University of Chicago, traveled to the Newport Harbor Art Museum, Newport Harbor, CA
Real Pictures, Wolff Gallery, New York
Topology, Asher/Faure Gallery, Los Angeles
Systems, Krygier/Landau Contemporary Art, Los Angeles
Skulptur Projekte in Münster, 1987, Germany, (cat.)
Wall Works, Comerhouse, Manchester, Great Britain
New Works, Kuhlenschmidt/Simon, Los Angeles
Works on Paper, Galerie Bernd Kliiser, Munich
Signes des Temps, Gallerie Ghislaine Hussenot, Paris
New Acquisitions, Carl Solway Gallery, Cincinnati, OH
Works on paper, Texas Gallery, Houston

1986
Sacred Images in Secular Art, Whitney Museum of American Art, New York
The Spiritual in Art: Abstract Painting 1890-1985, Los Angeles County Museum of Art
Individuals: A Selected History of California Artists, 1945-1985, The Temporary Contemporary, MOCA, Los Angeles
Emerging Artists, Cleveland Center for Contemporary Art, Cleveland, OH
Lawrence Oliver Gallery, Philadelphia, PA
Luhring, Augustine and Hodes, New York
Baskerville and Watson, New York
Scultura da camera, Galleria Marilena Bonomo, Bari, Italy
Maelstrom, Palais des Beaux Arts, Brussels, Belgium
Art and its Double: A New York Perspective, Fundacio Caja de Pensiones, Madrid; traveled to Barcelona
Traps - Elements of Psychic Seduction, Carl Lamagna Gallery, New York
Contemporary Art, Chicago, IL
Geometria Nova: Helmut Federle, John M. Armleder, Matt Mullican, Gerwald Rockenschaub, Kunstverein München, Germany
Mary Carlson, James Casebere, FortuynlO'Brien, Matt Mullican, Michael Klein, Inc., New York

1985
Made in India, Museum of Modem Art, New York
Promenades, Parc Lullin,Genthod, Switzerland. Sponsored by Centre d'Art Contemporain, Geneva
Signs, The New Museum of Contemporary Art, New York
Burnett Miller gallery, Los Angeles
Doppelganger, Aorta, Amsterdam
Rounding up the Usual Suspects, Fay Gold Gallery, Atlanta, GA Past/Future Perfect, Hallways, Buffalo, NY
Drawings, Knight Gallery/Spirit Square Arts Center, Charlotte, NC

1984

Drawing Exhibition at the North Carolina Museum of Art. curated by Donald Droll
Totem, Bonnier Gallery, New York
Modern Expressionists: from Pollack to Today, Sidney Janis Gallery, New York
Baskerville and Watson, New York
Tenth Anniversary Invitational, Artists Space, New York
idea, organized by Tanja Grunert, Stuttgart, Germany
Koplan Gallery, Los Angeles, CA
Drawings, Mary Boone Gallery, New York
Zeichen, Fluten, Signale, Galerie Nächst St. Stephan, Vienna

1983
Ene International Samlung, Stiftelsen Kalsvik, Stockholm, Sweden
Back to the USA, Kunstmuseum, Lucerne, Switzerland
Intoxication, Monique Knowlton Gallery, New York
Modern Objects, Barbara Toll Fine Arts, New York
Notizie di lavoro d'Artista, Genua, Italy

1982

Mary Boone Gallery, New York
Return to Artists Space, Artists Space, New York
Documenta VII, Kassel, Germany
Sweet Art, Ronald Feldman Gallery, New York

1981
The Kitchen, New York
Idola: Inespressionismo Americano, Museo di Sant'Agostino, Genoa, Italy
School of Art and Design, California Institute of the Arts, Valencia, CA

1980
Horror Pleni - Give me Time To Look: Pictures in New York Today, Padiglione d'Art Contemporanea, Milan, Italy

1979
Masters of Love, 80 Langston Street, San Francisco, CA

1977
Hallwalls, Buffalo, NY

1974
Indian Summer, Project, Inc. Boston, MA


PERFORMANCE HISTORY


2008
Whitney Biennial, 67th Street Armory, New York, NY

2007
The Power Plant, Toronto, ON
Tate Modern, London

2006
Lentos Kunstmuseum, Linz
Tang Museum amd Gallery, Skimore College, Saratoga Springs, NY

2003
Centre Pour l’Image Contemporaine, Geneva
Kunsthalle Zurich, Zurich

2002
Anton Kern Gallery, New York

2001
The artist’s studio (documented in Psycho Architecture: Experiments in the Studio), New York
Klosterfelde Gallery, Berlin

2000
Los Angeles Contemporary Editions, Los Angeles

1998
Festival a/d Werf, Utrecht

1997
Office Tower, Manhattan Centre, Brussels

1996
A series of 15 performances at different locations produced by Roomade, Brussels

1983
Institute of Contemporary Art, Boston

1982
The Kitchen, New York

1979
The Kitchen, New York
Foundation for Art Resources, Los Angeles

1978
The Kitchen, New York

1973
Project Inc., Boston
CalArts, Valencia


PUBLIC AND CORPORATE COMMISSIONS


2007-2008
Alexandria, San Francisco, CA
Copenhagen, Denmark, public project intervention on foot bridges

2002-2003
25 Gardens, BUWOG Apartment Complex, Vienna
Topiary Garden, Kallmann-Museum, Ismaning
Bronx School for Law, Government & Justice, New York
The Arts and Sciences Building, Akron University, Akron

2001-2002
Nouveaux Commanditaires, Fondation de France, Lille
Rathaus Passage, Innsbruck
Tokyo NIAD (National Institute For Academic Degrees) Center, Tokyo

2001
International Court of the Sea, Hamburg
Lowengang Winery, Bolzano

1999
Het Oosten on Sarphatistraat, Amsterdam
Autostadt, Wolfsburg
Schiphol International Airport, Amsterdam

1998
Schiedam

1997
Miyagi University, Miyagi
City of Eindhoven, Netherlands

1996
Swiss Bank Union, Zug, Switzerland

1995
Allgemeine Versicherung, Braunschweig, Germany
Hypo-Bank, Gera
Flushing Meadows Corona Park, City of New York Parks and Recreation, New York

1994
Stadtsparkasse, Wetzlar, Germany
Lyon Parc Auto, Place des Terraux, France
1993 Los Angeles Convention Center, California
NUR, Frankfurt

1992
Santa Barbara Museum of Art, California
University of Houston, Texas
Expo 92, Sevilla
Floriade 92, Zoetermeer, Netherlands

1990
Swiss Bank Corporation, New York
Musée des Beaux Arts, Tourcoign, France
1989
Arts for Transit, Metropolitan Transit Authority, New York
1988
Deutsche Leasing, Frankfurt
1987
Haags Gemeentemuseum, Netherlands
Skulptur Projekte in Münster, Germany


BIBLIOGRAPHY

1979

Bleckner, Ross. “Transcendent AntiFetishism”, Artforum, March 1979
Lawson, Thomas. “Review of the Kitchen”, Real Life Magazine, March 1979, p.3
Lawson, Thomas. “The Uses of Representation: Making Some Distinctions”, Flash Art, March-April 1979, p.37-39
Yoskowitz, Robert. Arts Magazine, November 1980, p.30

1980
Lawson, Thomas. Artforum, November 1980, p.91
McCollum, Allan. “Matt Mullican’s World”, Real Life Magazine, Winter 1980, p.4-13
Salle, David; Welling, James. “Images that understand us”, Journal, no.27, June–July 1980
Tatransky, Valentine. Flash Art, November 1980, p.46

1981

Deitch, Jeffrey. “Who Has The Power?”, Flash Art, October-November 1981, p.46-47
Lawson, Thomas. “Switching Channels”, Flash Art, April–May 1981, p.20-22
Marzorati, Gerald. “Art Picks”, SoHo News, September 22 1981, p.36
Mullican, Matt. “Matt Mullican”, File Magazine, October-November 1981
Smith, Roberta. “Biennial Blues”, Art in America, April 1981, p.92-101

1982

Anon. “Les Expositions dans la Ville”, Quest France, March 19 1982
Haden-Guest, Anthony. “The New Queen of the Art Scene”, New York Magazine, April 19 1982, p.24-30
Owens, Craig. “Back to the Studio”, Art in America, January 1982, p.99-107
Ponti, Lisa. “Documenta 7”, Domus, October 1982, p.67-73
Ponti, Lisa. “Mary Boone and the Past and the Present and the Future”, Domus, November 1982, p.72-73
Silverthorne, Jeanne. “Matt Mullican at Mary Boone”, Artforum, September 1982, p.77-78
Smith, Roberta. “Didacticism, Material and Immaterial”, Village Voice, December 21 1982, p.113
Wolf, Deborah. “Mary Boone”, Avenue, October 1982, p.40-47

1983
Anon. “Mary Boone Gallery, New York; Exposicion”, Goya, January-February 1983, p.251
Blau, Douglas. “Matt Mullican at Mary Boone”, Art in America, March 1983
Brooks, Valerie. “Matt Mullican”, Flash Art, March 1983, p.62
Camitelli, Maria. “II Fiume Scorre Lentamente”, Juliet, January 1983, p.15-20
Freidman, Jon R. “Modern Objects”, Arts Magazine, September 1983, p.9
Lovelace, Carey. “Painting for Dollars”, Harpers Magazine, July 1983, p.66-70
Moufarrege, Nicolas. “Intoxication: April 9, 1983”, Arts Magazine, April 1983, p.70-76
Mullican, Matt. “Checkered Flag”, Juliet, March 1983, p.23
Stewart, Laura. “Soho Gallery Has Been a Boon to Mary”, Sunday Democrat and Chronicle, January 2 1983, p.D3

1984
Anon. “Centre d’Art Contemporain, Genève: Exhibition”, Domus, November 1984, p.81
Anon. “Mullican’s Enigmatic Images”, Newsday, August 22 1984
Borrini, Catherine-France. “Le 10ème Anniversaire du Centre d'Art Contemporain de Genève”, Art Press, October 1984, p.50
Brenson, Michael. “Matt Mullican”, New York Times, December 14 1984, p.C33
Descombes, Murielle. “Les Symbols de Matt Mullican”, Tribune di Genève, October 5, 1984
Evans-Clark, P. “Matt Mullican: Questions sur l’Art”, Art Press, December 1984, p.24-25
Glueck, Grace. “Matt Mullican”, New York Times, July 27 1984, p.C21
Mathonette, Philippe. “Mullican, la Fascination du Pictogramme”, Argus Media, October 2 1984
von Fürstenberg, Adelina. Centre d’Art Contemporain, Genève; 1974-1984, Centre d’Art Contemporain, 1984 (catalogue)
Zacharopoulos, Denys. “Postures de Distance”, Artistes, Summer 1984, p.50

1985

Brenson, Michael. “Art: Exhibit of ‘Signs’ at The New Museum”, New York Times, May 17 1985
Celant, Germano. “Between Atlas and Sisyphus”, Artforum, November 1985, p.76-79
Gardner, Colin. “Establishing Order(s)”, Artweek, October 19 1985, p.3
Groot, Paul. “Matt Mullican”, Wolkenkratzer, June-August 1985, p.33
Lewis, JoAnn. “Mullican’s Signs of the Times”, Washington Post, October 26 1985, p.B2
Madoff, Steven Henry. “What is Postmodern About Painting: The Scandinavia Lectures, II”, Arts Magazine, October 1985, p.59-64
Wechsler, Max. “Paradise Gained”, Artforum, September 1985, p.94-97

1986
Anon. “Special Projects”, Everson Museum of Art Bulletin, September 1986
Chayat, Sherry. “Signs of the Times”, Syracuse Herald-Journal, October 14 1986
Failing, Patricia. “Los Angeles Gets a New Temple of Art”, Art News, November 1986, p.94
Frank, Peter. “Immaterial Witnesses”, L.A. Weekly, December 26 1986-January 1 1987
Levin, Kim. “Matt Mullican: The Dallas Project”, Village Voice, May 1986
Patton, Phil. “Isozaki”, Connoisseur, November 1986, p.116-125
Van Der Kaap, Gerald. “Mobbyism”, Zien Magazine, no.8, 1986

1987

Anon. “Art”, Village Voice, May 6 1987
Anon. “Concentrations 15: Matt Mullican”, Dallas Museum of Art Bulletin, 1986-87, p.11
Anon. “L’Epoque, La Mode, La Morale, La Passion 1977-1987”, Petit Journal Centre Beaubourg, p.17
Burnett, John. “State of the Arts”, White Rocker, February 6 1987
Cameron, Dan. “Documenta 8 Kassel”, Flash Art, October 1987, p.61-68
Gardner, Colin. “Reviews”, Artforum, April 1987, p.137-138
George, Rosaline. “Postmodernists in ‘Topology’ Exhibit”, Outlook, July 17 1987
Gipe, Lawrence. “Matt Mullican’s Operatic Installation”, Artweek, February 14 1987
Gipe, Lawrence. Artscribe, May 1987
Knight, Christopher. “Kuhlenschmidt/Simon”, Los Angeles Herald Examiner, February 15 1987
Kuspit, Donald; Wechsler, Max; Cameron, Dan; Tazzi, Pier Luigi; Rein, Ingrid. “The Critics Way”, Artforum, September 1987, p.109-120
Kutner, Janet. “Dallas: Matt Mullican”, Art News, April 1987
Kutner, Janet. “Talking Pictures”, Dallas Morning News, February 5 1987
Morgan, Susan. “Views From L.A.”, Artscribe International, March-April 1987
Nickas, Robert. “Reviews”, Flash Art, February-March 1987, p.113-114
Nixon, Bruce. “Critics Choice”, Dallas Times Herald, February 1 1987
Perez, Luis Francisco. “El Arte y su Doble”, Tema Celeste, April-June 1987, p.66-67
Pontbriand, Chantal. “Skulptur in Munster”, Parachute, September-October-November 1987, p.37-41
Russell, John. “Monsters: The Phenomena of Dispassion”, New York Times, January 30 1987
Schmidt-Wulffen, Stephan. “Enzyklopädie der Skulptur”, Kunstforum, October–November 1987, p.288-301
Sozanski, Edward. “An Artist’s Blend of Philosophy and Symbolism”, Philadelphia Inquirer, September 24

1987

Stavitsky, Gail. “Concerning ‘The Spiritual in Art’”, Arts Magazine, Summer 1987 p.34
Wallis, Brian. “Kapitalische Stigmata”, Kunstforum, October-November 1987, p.253-257
Wallis, Brian. Blasted Allegories, M.I.T. Press, 1987
Wilson, William. “The Art Galleries: La Cienaga Area”, Los Angeles Times, July 24 1987

1988
Tazzi, Pier Luigi. “Matt Mullican. 8. November - 24. Dezember 1988”, Catalogue Mai 36 Galerie, Luzern, 1988
Anon. “Challenging our Vision of Cultural Symbols”, San Francisco Chronicle, October 20, 1988
Anon. “Komische Zeichen”, Luzerner Tagblatt, November 11 1988
Anon. “Matt Mullican”, New York Magazine, September 12 1988
Anon. “Review Matt Mullican, Winnipeg Art Gallery”, Winnipeg Free Press, February 13 1988
Archer, Michael. “Wall Works: Cornerhouse”, Artscribe International, March-April 1988, p.82
Bordaz, Jean-Pierre. “Mages et Images”, Galeries Magazine, August-September 1988, p.91-97
Bromberg, Craig. “Battery Charger”, Vanity Fair, November 1988
Cameron, Dan. “Now New York New”, Wolkenkratzer, January-February 1988, p.20-36, 103-105
Dimitrijevic, Nena. “Wall Works, Cornerhouse, Manchester”, Flash Art March-April 1988, p.121
Groot, Paul. “Matt Mullican”, Parkett, no.17, 1988, p.88-97
Hess, Elizabeth. “Captives of Industry?”, Village Voice, November 15 1988
Horsley, Carter B. “Provocative Peek into Future”, New York Post, October 13 1988
Jalon, Allan. “’Skeptical Belief(s)’ Exhibit Displays Varied Styles of CalArts Graduates”, Orange County Register, January 1988, p.49
Kemp, John. “Matt Mullican: Artsite, Bath”, Arts Review, June 17 1988
Kimmelman, Michael. “Synopsizing the Graphic Fabric of Modern Life”, New York Times, August 12

1988
McCracken, David. “Ito Exhibit Shows Late Artist’s Sensitivity and Sure Touch”, Chicago Tribune, December 23 1988
O’Dell, Kathy. “Through the Image Maze”, Art in America, January 1988
Oberholzer, N. “Eine Kunst, die aufs Totale hinzielt”, Vaterland, November 10 1988
Pincus, Robert L. “Art Review (Newport Beach)”, San Diego Union, February 28 1988
Raynor, Vivien. “Outdoor Sculpture with a Critical Note”, New York Times, October 30 1988, p.28
Schmidt-Wulffen, Stephan. “Wo stehen die Künstler 1988?”, Art, February 1988, p.30-47
Tarantino, Michael. “Mullican: l’organisation de l’histoire”, L’Inventaire, June 1988, p.55-61
Taylor, Paul. “Cultural Geometry”, Flash Art, May-June 1988, no.140, p.124-5
Wilson, William. “Radical Things are Happening in Orange County”, Los Angeles Times, February 28 1988, p.93, 96

1989
Alexander, Max. “Art in the Underground”, Art in America, December 1989
Anon. “Art”, Vogue, September 1989
Anon. “Environments: A Bicoastal View”, Art News, December 1989
Anon. “Former Art Museum Exhibitor Shows Work in New York City”, Oregonian, September 5 1989
Anon. “Gallery Round Up”, The Bulletin, April 27 1989
Anon. “Hot Line”, New York Magazine, September 11 1989
Anon. “La Planète Mullican”, Sans Titre, May-June 1989
Anon. “Matt Mullican”, New Yorker, September 18 1989
Anon. “Nynex Funds Computer-Art Project”, Corporate Art News, July 1989
Anon. “One Single Work of Art Fills Western Gallery”, Bellingham Herald, October 17 1989
Anon. “Production News”, Film and Video Production, July 1989.
Anon. “Projects: Matt Mullican at Museum of Modern Art”, Antiques and the Arts, September 15 1989
Anon. Elle Magazine, September 1989
Anon. “Hierogliefen”, Knack Weekend, April 26 1989
Baker, Kenneth. “Matt Mullican Show at Fuller Gross”, San Francisco Chronicle, November 25 1989
Ballatore, Sandy. “Mullican and Mullican: Living the Modern-Postmodern Continuum”, Artspace, July-August 1989, p.51–55
Barasch, Amy. 7 Days, August 30 1989
Beck, Kurt. “Weltenlehre in Erz gegossen und auf Leinwand frottiert”, Luzerner Neueste Nachrichten, January 23 1989
Bonetti, David. “Matt Mullican”, San Francisco Examiner, December 1 1989
Calnek, Anthony. “New York”, Contemporanea, 1989
Clements, Paul. “Magic Carpet Ride”, Museum and Arts Washington, November 1989
Clothier Peter. “Matt Mullican”, Bijutsu Techo, November 1989
Clothier, Peter. “Sign Language”, Art News, Summer 1989
Curtis, Cathy. “Matt Mullican”, Los Angeles Times, November 17 1989
Decter, Joshua. “Matt Mullican”, Flash Art, November-December 1989
Decter, Joshua. “New York in Review”, Arts Magazine, January 1989, p.105
Doswald, Christoph. “Matt Mullican”, Kunstforum, January-February, 1989
Farr, Sheila. “Language of Symbols Explored”, Bellingham Herald, October 20 1989
Forgey, Benjamin. “The Urban Picture”, Washington Post, December 16 1989
Gibson, Eric. “Rug/Sculpture Fuses Hirshhorn with City”, Washington Weekend, December 14 1989
Hackett, Regina. “Poker-faced NY Pop Artists Exhibit Some Staying Power”, Seattle Post-lntelligencer, February 21 1989
Helfer, Judith. “Kunst und Technik”, Aufbau, September 15 1989
Kimmelman, Michael. “Art, a Show Featuring Prints, the Subject is Ambition”, New York Times, October 6 1989
“Words and Symbols from Matt Mullican”, New York Times, September 1 1989
“At the Whitney, 100 Works from the Last 30 Years”, New York Times, November 13 1989
Kraus, Karl. “Kunst ist, was Welt wird”, Männer Vogue, June 1989
Levin, Kim. “Matt Mullican”, Village Voice, October 17 1989
Mullican, Matt. “Matt Mullican”, File Magazine, Spring 1989
Princenthal, Nancy. “Matt Mullican’s Etchings: Rereading the Looking Glass”, Print Collector’s Newsletter, November-December 1989
Schwartzman, Allan. “Corporate Trophies”, Art in America, February 1989
Smith, Richard. “MoCA navigates ‘A Forest of Signs’”, New Art Examiner, Summer 1989
Steinberg, Jane. “Just Say Faux”, Seattle Weekly, February 8 1989
Weber, John. “PCVA Program Begins with Matt Mullican’s Dallas Project”, Oregon Art Institute Magazine, June-July 1989, p.18-19
Woodward, Richard. “For Art, Coastal Convergences”, New York Times, July 6 1989

1990

Kline, Katy / Meinhardt, Johannes / Tarantino, Michael / Mullican, Matt. “The MIT Project”, Exhibition Catalogue, MIT List Visual Arts Center, Cambridge, 1990
“Matt Mullican, Information, simulation et fiction”, in: Kanal, nE11, Dezember 1990, p.46
Ain, Stewart. “Artist Gives Park Fair Treatment”, NY Daily News, July 24 1990
Anon “Cosmologie”, Voir, November 1990
Anon “Matt Mullican”, Flash Art, October-November 1990
Anon. “Art in the Park”, Park Advocate, Spring–Summer 1990, p.4
Anon. “Computer Installation von Matt Mullican”, Frankfurter Allgemeine Zeitung, November 29 1990, p.48
Anon. “Computer Project”, Rogue, no.7, December 1990
Anon. “Em Calcário azul de Cascais”, O Público, May 29 1990
Anon. “Grenoble prise dans les Toiles et les Spirales”, Libération, October 18 1990
Anon. “Grenoble”, The European, October 12-14 1990
Anon. “La Semiotica di Matt Mullican”, II Giornale dell’Arte, September 1990
Anon. “La Ville de Matt Mullican”, Le Dauphine Libère, October 25 1990
Anon. “Matt Mullican at the Magasin”, Gallery Guide, September 1990
Anon. “Matt Mullican in Grenoble”, Artis, October 1990, p.57
Anon. “Matt Mullican”, Artforum, January 1990
Anon. “Matt Mullican”, Grandes Lignes, October 1990
Anon. “Matt Mullican”, Público A Semana, June 1 1990
Anon. “Swiss Bank Corporation Commissions Site Specific Sculptures by Richard Serra and Matt Mullican, Swiss American Review, March 14 1990
Anon. “Matt Mullican”, Menninger Perspective, vol.21, no.4, 1990
Bost, Bernadette. “Le Génie Encyclopédique”, Le Monde, September 15 1990
Clot, Manel. “Repertorio Simbolico”, El Pais, October 6 1990
de Beaumont, Thierry. “Mullican City”, Atelier, Number 2, April-June 1990
Emmett, Arielle. “Supercomputer Art”, Computer Graphics World, April 1990, p.91-93
Guilloteau, Claude. “Les Villes-fictions de Matt Mullican”, Les Affiches, September 28 1990
Guimarães, José. “Cartografias”, Fim de Semana, June 8 1990, p.11
Haggerty, Michael. “Exploring the World in the Art of Matt Mullican”, IEEE Computer Graphics and Applications, May 1990, p.3-7
Iverem, Esther. “Framing a Park with Art Drawn from Four Artists”, New York Newsday, July 3 1990, p.12
Kandell, Susan. “Matt Mullican”, Arts Magazine, February 1990
Kluge, Franz. “Bilder von völlig neuer Art”, Horizont, no.8, February 1990
Lambrecht, Luk. “Matt Mullican”, Forum, November-December 1990, p.76
Matthes, Frank. “Max Headroom ist nicht zu Hause”, Journal Frankfurt, no.4, December 6-19 1990
Melo, Alexandre. “Matt Mullican, Mapa Mundo”, Expresso, June 2 1990
Mullican, Matt. “Matt Mullican”, ICI Newsletter, Spring-Summer 1990
Mullican, Matt. [Cover design], Oblek Magazine, no.8, Fall 1990
Nemser, Rebecca. “China Fair”, Boston Phoenix, May 25 1990
Oerlemans, Hans. “Kunst tegen de muur doet discussie opnieuw oplaaien”, Het Binnenhof, September 5 1990
Peeters, Mark. “Vandaalbestendige kunst verlevendigt Haagse wijk”, NRC Handelsblad, September 5 1990
Perrard, Sylvie. “Matt Mullican au Magasin”, Le Dauphine Libère, September 15 1990
Pietrantonio, Gianni di. “Spotlight, Matt Mullican”, Flash Art, November-December 1990
Pinharanda, João. “Sinais Mínimos”, O Público, May 25 1990, p.14
Pye, Michael. “Polygons and Pixels, the City as Techno-art”, Independent on Sunday, February 11 1990
Quaroni, Grazia. “Matt Mullican”, Juliet, December 1990-January 1991, no.50
Rose, Frank. “Is Computer-generated Art Really Art?”, Lotus, May 1990, p.96
Sapolin, Donna. “Art Spills into the City’s Streets”, Metropolitan Home, August 1990
Temin, Christine. “Putting the World in Order”, Boston Globe, June 6 1990
Thomas, Mona. “Matt Mullican”, Beaux Arts Magazine, November 1990, p.135
Tschechne, Martin. “Schnelle Reise durch die Welt im Computer”, Art, no.12, 1990, p.127
von Drateln, Doris. “Matt Mullican”, Contemporanea, January 1991, p.93
Wolff, Thomas A. “Architekt der Gemeinplatze”, Frankfurter Rundschau, November 22 1990, p.26
Zahm, Olivier. “Matt Mullican”, Art Press, December 1990

1991

Mullican, Matt / Weiner, Lawrence:.“In the crack of the dawn”, Comic-Book, Mai 36 Galerie, Luzern, 1991
Anon. “Matt Mullican”, Mitsukoshi, no.191, issue no.8, 1991, p.176-177
Anon. “Eye Poppers”, Bijutso Techo, February 1991, vol.43, no.634, p.194
Anon. “Fine Art Collection Swiss Bank Tower”, Swiss Bank Corporation, New York, 1991
Anon. “Matt Mullican”, New Yorker, May 20 1991
Anon. “Matt Mullican”, Print Collector’s Newsletter, July-August 1991, p.98-99
Anon. “The Library”, New Yorker, June 17 1991, p.14
Ardenne, Paul. “Matt Mullican City Project”, Art Press, special edition, Summer 1991
Barre, Francois. “Une Commande Publique”, Les Arts Etonnants, 1991, p.16-17.
Bouisset, Maiten. “Le Centre d’Art Contemporain de Grenoble”, Arts Info, no.56, February-March 1991, p.1, 6-10
Corbou, Michel. “Matt Mullican: découvre le 8ème art”, L’Atelier News, no.10, September 1991, p.19-20
Decter, Joshua. “Symbols from a Logocentric Society”, Flash Art, May-June 1991, p.102-105
Geerling, Let. “Mullican Life—Mullican Death—Mullican World”, Archis, February 1991
Haus, Mary. “Matt Mullican: Brooke Alexander”, Art News, October 1991, p.129
Heartney, Eleanor. “Matt Mullican at Brooke Alexander”, Art in America, November 1991, p.149-150
Kandel, Susan. “Matt Mullican’s Clever but Static Project”, Los Angeles Times, December 13 1991
Karcayannis, Vassia. “Le Diaphane”, ArtiFischer, January-February 1991
Levin, Kim. “Choices: Matt Mullican”, Village Voice, May 21 1990, p.110
Lubetkin, Wendy. “The Life of the Image”, World Link, January-February 1991, p.112-3
Mullican, Matt. “Aatekeningen en fragmenten uit een voordracht over een afbeeling van een kosmologie”, Kunst und Museumjournaal, no.2, 1991
Mullican, Matt. “Matt Mullican Project for B.T”, Bijutsu Techo, February 1991, vol.43, no.634, p.172-175.
Smith, Roberta. “Art in Review, Matt Mullican”, New York Times, May 31 1991
von Drateln, Doris. “Matt Mullican”, Kunstforum, January-February 1991, p.383-385
Wijiers, Louwrien. “Stadsbeelden zonder stedebouw”, Het Financieele Dagblad, March 30 1991, p.11

1992

Anon. “Matt Mullican et l’architecture”, La Libre Culture, April 8 1992
Chadwick, Susan. “Artist’s Work Creates New Worlds, Lets us Explore them”, Houston Post, March 26 1992, p.C2
Crowder, Joan. “Putting Order in Our World”, Santa Barbara News-Press, May 29 1992, p.21-22
Etchells, Tim. “Landscape of Signs”, Frieze, no.3, p.15-17
Johnson, Patricia C. “Matt Mullican Approaches Art as ‘Intellectual Exercise’”, Houston Chronicle, March 27 1992, p.1E, 4E
Kalil, Susie. “Signs of the Times: Matt Mullican Boils Modern Experience down to Symbols”, Houston Press, March 19-25 1992
Knight, Christopher. “In between Common, Grand: Matt Mullican”, Los Angeles Times, May 26 1992, p.F1, F4-5
Kohen, Helen L. “In FIU Show, Painting is Alive and Well; Artists Experiment with Materials, Canvas”, Miami Herald, January 12, 1992, p.11, 51
McFadden, Sarah. “Signs of the times”, The Bulletin, April 1992, p.12
Mullican, Matt. Matt Mullican, Imschoot (artist’s book)
Safran, Yehuda. “Documenta IX: Children of the Gorgon’s Blood”, Arti, November-December 1992, p.48-56
Tarantino, Michael. “Building Models of Perception”, Parachute, October-December 1992, p.5-8

1993
Mullican, Matt. “Matt Mullican. World frame”, Ausstellungskatalog des Contemporary Art Museum, University of South Florida, Florida, 1993
Zacharopoulos, Denys/ Brouwer, Marianne / Mullican, Matt. “Matt Mullican. Works 1972-1992”. Verlag der Buchhandlung Walther König, Köln, 1993
Anon. “Matt Mullican”, Domus, September 1993, p.25–31
Anon. “Prints and Photographs Published”, Print Collector’s Newsletter, September–October 1993, p.145–149
Bitterli, Konrad. Flash Art, November–December 1993, p.120
D’Amato, B. “Matt Mullican: Color Coding the Absurd”, Flash Art, March-April 1993, p.76
Decter, Joshua. “Matt Mullican”, Artforum, February 1993, p.97
Dery, Mark. “Art Goes High-tech”, Art News, February 1993, p.74–83
Gagneur, Didier. “Quest for Excess”, New Observations, March-April 1993, p.14-15
Heartney, Eleanor. Art News, March 1993, p.109
Meinhardt, Johannes. “Matt Mullican’s Reise durch die Welten”, Artis, July-August 1993
Princenthal, Nancy. “Matt Mullican at Barbara Gladstone”, Art in America, May 1993, p.119

1994
Albertini, Rosanna. “Un’ arte fatta di memoria”, Flash Art (Italy), November 1994, p.30-35
Antal, Istvan. “Matt Mullican a Becsi Szeceszio-ban. Portre”, Balkon, November 1994, p.20-24
Harold, Jim. “The Morgue”, Creative Camera, February–March 1994, p.10–13
Princenthal, Nancy. “Artists Book Beat”, Print Collector’s Newsletter, September–October 1994, p.150-152

1995
Yvars, J.F. / Marì, Bartomeu / Tarantino, Michael: “Matt Mullican. IVAM CENTRE DEL CARME 11 Mayo / 9 Julio 1995”, Catalogue Instituto Valenciano de Arte Moderno, Valencia, 1995
Räber, Susanne: “Herausgelöst aus der virtuellen Welt”, in: Sonntagszeitung, 9. April, 1995
Anon. “Place des Terreaux”, Bauwelt, July 1995
Anon. “Games”, Grand Street, no.52, p.13–16
Blauvelt, Andrew. “In and Around”, Emigre, Winter 1995, p.2-23
Czoppan, Gabi. “Kunstler des Jahres”, Focus, no.43. October 1995
Dannat, Adrian. “La Galerie est devenue Rose”, Flash Art, May-June, p.69
Hauffen, Michael. “Rosebud”, Kunstforum, May-June 1995, p.344-345
Matthieu, Marie-Christiane. Cinémagie, Petite Ecole, 1995
Muhr, Christian. “Matt Mullican”, Österreicher Chronik, December 5 1995
Peters, Philip. “Matt Mullican”, Art and Design, May–June 1995 p.68–70
Tietenberg, Annette. “Schwarz-Weiss-Rot”, Frankfurter Allgemeine Zeitung, May 16 1995, p.42

1996
Anon. “Studio Glass at the Metropolitan Museum of Art”, American Craft, June-July 1996, p.44-45
Neri, Louise. Everything that’s Interesting is New, Cantz, 1996
Popper, Frank. “Visualization, Cultural Mediation and Dual Creativity”, Leonardo, no.4, 1996, p.311
Sowa, Hubert. “Stadtforschung/Bildforschung”, Kunst und Unterricht, September 1996, p.22-28
Warwick, Nigel. “The Castle Lures Art Pilgrims at -20 Degrees”, Flash Art, Summer 1996 p.68-69

1997
Meschede, Friedrich: “Matt Mullican in der neuen Nationalgalerie Berlin”, DAAD, Berlin, 1997
Anon. “Untitled”, Art and Design, January-February 1997, p.64
Gibbs, Michael. “On and Offline at Documenta X”, Art Monthly, September 1997, p.51
Schmidt–Wulffen, Stephan. Kunst Arbeit Südwest LB Sammlung, Cantz, 1997

1998
Bennet, Simpson. “Matt Mullican at Brooke Alexander”, On Paper, May-June 1998, p.48-50
Berg, Stephan. “Belegetage im Hochsauerland”, Neue Bildende Kunst, April-May 1998, p.89
Heartney, Eleanor. “The Return of the Red Brick Alternative”, Art in America, January 1998, p.56-68
Kargl, Georg. 1998, Georg Kargl, 1998
Nemeczek, Alfred. “Paparazzi an Bade-Buden”, Art, June 1998, p.108

1999
Mullican, Matt / Ackermann, Marion / Wilmes, Ulrich. “Matt Mullican. Details from an imaginary universe”, Catalogue Städtische Galerie im Lenbachhaus, München, 1999
Grosenick, Uta / Riemschneider, Burckhard. “Art at the Turn of the Millenium”, Taschen, 1999, S. 354-357
Jana, Reena. “The Virtual Gaze”, Camerawork, Spring–Summer 1999, p.10–13
Tarantino, Michael, Details: “An Interview with Matt Mullican”, Oxford, 1999

2000
Todolì, Vicente / Brougher, Kerry / Mayo, Nuria Enguita, u.a.: “Matt Mullican. More Details from an imaginary universe”, hopefulmonster editore, Torino, 2000
Mullican, Matt: “Matt Mullican. Drawings 1973-2000”. Catalogue Mai 36 Galerie, Zürich, 2000
Cotter, Holland: in: The New York Times, 23. Juni, 2000
Meier, Philipp: “Die Welt im Rahmen”, in: Neue Zürcher Zeitung, 24./25. Juni, 2000

2001
Giacomozzi, Michael u.a.: “Museion talk no. 2/10/2001”, Museion Museum für moderne und zeitgenössische Kunst, Bozen
Roggeman, Anouchka: in: Connaissance des arts, November 2001, n 588, S. 16

2002
Wallnöfer, Julia: “Hieroglyphen der Gegenwart”. in: Frame, Heft Nr. 10, Jan-Mar 02, S. 132
“Turngeräte für den Geist. Matt Mullican in der Galerie Mai 36”, in: Neue Zürcher Zeitung, 14. Mai 2002, S. 44
Boyer, Charles-Arthur: “Promenade”, in: Art Press,n 277, März 2002, S. 79-81
Blain, Françoise-Aline: “L'effet Larsen, vies parallèles et aiguës”, in: Beaux Arts Magazine, n216, Mai 2002, S. 36

2003
“The Object Sculpture”, Henry Moore Institute, Leeds (curator: Penelope Curtis), 2003, S. 136-141
“Matt Mullican 2003”, Catalogue, Cristina Guerra Contemporary Art, Lisbon
“Matt Mullican”, in: Katalog UBS Art Committee Swiss Institute for Art Research (SIAR), 2003, S. 98-105
Jalon, Allan M., “Under a Spell”, The Los Angeles Times, February 9, 2003, p. E33 & E42

2004
“Ein imaginäres Universum”, in: Global World Private Universe, Catalogue 14. February – 31. Mai 2004, Kunstmuseum St. Gallen, Nürnberg: Verlag für moderne Kunst, 2004, S. 60/61 und 90/91, Abb. S. 59 und Frotispiz
“Pop-Shops – Galerien an der Rämistrasse”, in: Neue Zürcher Zeitung, 11. February 2004, S. 48
Schwendener, Martha, “Matt Mullican”, Artforum, December 2004

2005
Learning From That Person’s Work, Ludwig Museum, Cologne, Germany (catalogue)
Mendelsohn, Adam, That Other Person, That Other Space, NY Arts, 5 May 2005
Leffingwell, Edward, “Matt Mullican at Tracy Williams” Art In America, February 2005, p. 127-8.
Mendelsohn, Adam, “Casting a Net Over an Expanding Piece of Air,” Hatton Gallery, NY

2006
Cotter, Holland, “Art in Review,” The New York Times, December 1, 2006
Kealoah, Amy, “Matt Mullican: i Life and i Death,” Cool Hunting, 4 May 2006
Baker, R.C., “Art-Best in Show: Matt Mullican,” The Village Voice, May 17-23, 2006
White, Roger, “Matt Mullican: Works from the ‘70s and ‘80s,” The Brooklyn Rail, June 2006, p. 32
Parker, Graham, “Art Reviews: Matt Mullican,” Time Out New York, June 8-14, 2006, issue 558
MATT MULLICAN: Model Architecture, Lentos Kunstmuseum, Linz, Germany (catalogue)
Piktogramme-die einsamkeit der zeichen, Kunstmuseum Stuttgart (catalogue)
Matt Mullican: That Person’s Workbook, Ridinghouse and MER, UK.
Kelley, Mike, “Best of 2006: Matt Mullican,” Artforum, December 2006, p. 282

2007
Andress, Sarah, “In a Trance,” Art on Paper, March/April 2007, Vol. 11, No. 4, p. 18
Vogel, Carol, “Whitney Biennial Stretches to Armory,” The New York Times, November 16, 2007, p. E32

2008
Huck, Brigitte, “REVIEWS: Matt Mullican: Georg Kargl Fine Arts, Vienna”, Artforum, March 2008, 46, No. 7, p. 376
Finch, Charlie, “Back and Forth”, Artnet, 8 May 2008, www.artnet.com/magazineus/features/finch/finch5-7-08.asp, illus.
Anon, “Medium Cool-Mixed Media-John Baldessari and Matt Mullican”, Time Out New York, May 15-21, 2008, Issue 6
Work Exhibitions Curriculum
Matt Mullican
Restricted Area